Tag Archive: comics


The most productive Comic Con day ever!

This is just a short note before I completely pass out after such a long and eventful day… My first-ever day at the New York Comic Con (NYCC).

I’m spending this whole week in New York, crashing on a good friend’s couch over in the Jamaica neighbourhood. The occasion is the annual Brooklyn SciFi Film Festival, but I will write more on that in a few days.

Today (Friday) was the only festival day without any live screenings (only a virtual one), so I went to NYCC, having bought the rare Friday pass much earlier in the week. (My overnight bus from Montreal had arrived much earlier than expected, so I spent an hour or so at an all-night diner, buying event tickets and planning my week, eh.)

I have neither the time nor the space to describe my NYCC experience in full detail. Suffice to say, it was quite amazing. There were some logistical issues that were a clear oversight on the organizers’ part, but pobody is nerfect.

My biggest event was the Pitchapalooza: 20 authors get picked to give a 1-minute pitch, followed by gentle critique. At the end, one author gets picked, and wins an introduction to an agent in their genre. I was surprised to see that pavilion was almost empty: in my imagination, hundreds of writers would have lined up for this opportunity – but nope, there were only about 20 of us altogether. Remarkable.

I delivered my best pitch and didn’t win, but I got some great feedback – and learned that I’m capable of delivering rapid-fire pitches in front of VIPs, with a microphone and a small crowd. (There were quite a few observers.) That was good to learn about myself.

Afterwards, much roaming, and admiring people’s beautiful and creative cosplay. As an introvert, I was hesitant about attending the NYCC networking event, but I’m glad I went. I had a chat with someone from a talent agency, and got his card, and will message him soon… He was in the market for voiceover talent (not my forte), but he did say his agency represents authors, too. This should be interesting.

Speaking of voiceovers: Jeff Hays, the most talented voiceover artist in the United States, said he’s okay with doing a small commission for one of my short films! This is so mindblowing that I still can’t quite process it. I need someone to read a short script in the voice of a famous historical figure, and no one alive would do a better job. This will be so, so, soooo much fun…

The “What we do in the shadows” presentation featured two episodes of their upcoming (and final) season, followed by the hilarious Q&A with the writers and most of the cast.

The Tor event afterwards was about the upcoming book releases and not about the publishing business – but hey, they gave out free advance copies of their novels, so that’s a win!

I also whispered a secret password to a certain artist, which resulted in me joining his henchman army – and getting a snazzy T-shirt!

I wasn’t cool enough to learn about special secret after-parties, but I found a tweet about one of them… And that’s how I ended the day by infiltrating thd meet-up of New York’s comic book creators – writers as well as artists. They were in the reserved section of a nearby spors bar: fun crowd. Made some new friends, got some interesting advice, had some beer… And managed not to fall asleep during the long subway ride back to Jamaica, huzzah!

I’m not sure I could’ve accomplished more today: this was about as efficient as a single day can get. I will absolutely make sure to come back again next year, if it falls on the same week as the Brooklyn film festival – but that’s a story for another time, eh.

Good night, y’all.

Book review: X-Men Noir

“X-Men Noir” is a comic book (or a graphic novel, as all the cool kids call them these days) with an intriguing concept: what if everyone’s favorite X-Men lived in the gritty noir world of the 1920s? And what if they didn’t have superpowers?

The book’s creators (writer Fred Van Lente and artist Dennis Calero) made a good effort at exploring the concept, but the end result isn’t as user-friendly as it might have been. The art in the book is digital and not hand-drawn (think “Ex Machina” comics) and, while that’s not a big issue in and of itself, it’s difficult to tell apart the book’s many characters who talk, dress and look very much alike. The overabundance of dark colors in the book doesn’t help differentiate the characters and makes for some very confusing action scenes on several occasions.

As for the writing… Van Lente put together an interesting world where goodie-two-shoes X-Men are sociopaths, not mutants. Professor Xavier is a rogue psychiatrist who thought sociopaths were the next stage of human evolution. Thus, instead of the Xavier’s School for Gifted Youngsters we have the Xavier’s School for Exceptionally Wayward Youth, where he helped his feral teenagers become better criminals. A lot of characters from the X-Men universe are featured in the book as main characters as well as cameos, but mostly under their regular, non-superhero names, which might confuse some casual comics readers. 

Personally, I know more about X-Men than most people, and even I had to turn to the almighty Google to look up just who the main character was supposed to be. (For some bizarre reason, he’s not even from the X-Men but from a comic book released some 30 years before the franchise was even created.) The book’s narrative seems too rushed and compressed – it may have worked better if it were stretched across 6-8 issues, instead of just 4. As it is, the ending, which combines just about every noir element out there, will probably leave you confused…

However, there are some good parts as well. X-Men are occasionally made fun of: Iceman insists on being called by his moniker and makes puns about “icing” his victims with an icepick; Professor X’s file on Beast notes that he likes to use big words he doesn’t always understand. There’s this gem of a quote: “They stole everything that wasn’t nailed down! And the they took the nails out of the rest of it and stole it, too!” After each of the book’s 4 chapters, there’s an installment of a short pulp story written by none other than Bolivar Trask, in which he talks about Sentinels and sewers-dwelling mutants. That makes for some interesting reading, especially if you like meta narratives.

Overall, the book left me confused and a little disappointed. Although it’s clear that a lot of people put a lot of work into it, no book should ever leave its readers scratching their heads and going online to figure out what on earth actually happened in the final scene.

Score: 2 out of 5 stars

Buy it on Amazon