Tag Archive: fiction


Year in Review: 2025

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December 30, 2025

Typing this up from a capsule hotel in Tokyo’s salaryman district, Shimbashi. Not something I possibly could have anticipated a year ago, but life can be wild like that, eh.

This was one strange, eventful year – more so than usual. The biggest disappointment was having had to cut short my Continental Divide Trail thru-hike which I’d started in April. Partly because my legs weren’t entirely up to it, partly because it was so soul-crushingly lonely (walking four days without meeting anybody else was considered normal), partly because it involved long stretches of walking on the highway… It did not meet my definition of a nature trail.

An odd experience, that: anticipation, a long journey, a glorious and multifaceted failure… An unusual set of sensations. Might use that in my fiction someday.

The other big thing was the end of the relationship that lasted almost three years – my personal best. I tried. The stress of her daily life only kept rising. The first year was wonderful. It was for the best.

That was also my last tie to Quebec City, which is how, after about four years, I finally packed up and moved to Montreal. In a matter of speaking, that is. All my things are in a storage unit, my address is a PO box, and I’m technically homeless as I roam the world, trying to catch up on all the adventures I’d put on the back burner. (See my “Feral Artist Nomad” posts for more on that.)

Perhaps because of my failure to hike the CDT, my creativity went wild to overcompensate, to make this year meaningful in any way whatsoever. Wrote dozens of new stories. Sold quite a few of them. Of the ones that got published, my absolute favourite was “Hard as a Mirror of Cast Bronze.” It was inspired by someone I once knew and loved, written during the stretch of 40 days and 40 nights when I cared for her: a difficult though rewarding experience, and I believe the story shows that.

This was also the year I got agented! Finding a literary agent was by far the hardest thing I’ve done in my entire life – and it involved writing a whole new novel, as one does. Brandy Vallance of BBLA is excellent, and my dystopian YA sci-fi novel, “The Patron Saint of Unforgivable Mistakes,” is currently on sub, pending with a few editors. It may have been inspired by my Siberian childhood…

My filmmaking side keeps competing with the writing side: my second-ever film festival was Dam Short Film Festival in February, near Vegas, and it was the single greatest week of my adult life. The entire Boulder City came together to organize an event where every visiting filmmaker was treated like royalty, and it was cool beyond all words. I’m currently awaiting their decision for the upcoming festival in seven weeks: I should know within 48 hours. I hope they liked my new sci-fi offerings.

I made four more short films in 2025 and sent them off far and wide… That got me into three consecutive film festivals in the US in October (yay free hotels!) and might result in some more adventures in the coming months… Unless I repeat my Pacific Crest Trail thruhike, which is a very real possibility, seeing as I already don’t pay rent and have all my stuff packed up. (Strategy, eh?) We’ll see.

One definite success was getting my first-ever creative award: my film “How to Prepare for Time Travelers in the Workplace” got the second place in the comedy sci-fi category at the Brooklyn SciFi Film Festival, and that little prize alone can open up a lot of new doors for me… Incidentally, funny sci-fi is a remarkably underutilized subgenre. Hmm.

One of this year’s odder adventures began with too much beer. I was browsing FilmFreeway and applying to all the $5 festivals I could find (always an odd mix, those cheapest festivals) when I stumbled on the first-ever Worldcon sci-fi film festival. That annual convention is typically all about books, not movies, so of course I applied. And got accepted! And decided that if I attend, I may as well go for the entire week, not just one day. Seattle is always a fun town to visit, and that week was beautiful… But during the closing ceremony, the two hosts were so woefully unprepared that they didn’t merely mangle all the foreign names – they giggled while doing so.

Five days had passed with zero condemnation from any VIPs from the SFF community, and so I took it upon myself… As they say in Russia, “If not me, then who?” (“Yesli ne ya, to kto?”) And thus was born “When People Giggle at Your Name, or the 2025 Hugo Awards Incident” – the single most impactful thing I’ve ever written. It went viral. The organizers of the 2026 Worldcon in Los Angeles – a different crew – have vowed to do better. (Hard to do worse.) Some interesting conversations and debates took place…

And all of that was because once upon a time, I had too much beer, too much time (but that’s nothing new), and applied for an odd little film festival. A five-dollar bill, a click, and then a long and improbable series of events. Life can be funny like that.

I may be missing some other big 2025 developments, but I believe I’ve covered most of them. As the year ends, I’m sitting on nine sold but not-yet-published short stories and an almost-finished new novel and a few pending grant/residency proposals, and more than a few dreams. Once I finish typing this and crawl out of my oh-so-comfy capsule (it is currently 11:36am), I’ll slither over to the nearby cyber-cafe and use their computers to open a government PDF and submit a cyberpunk-ish short story for a writing contest organized by the Canadian military. My life is very strange: I have tried the traditional path; I have found it lacking.

I may go back to school and get my second Bachelor’s degree – in Physics this time. (The only anglophone universities in Quebec are in Montreal.) I may try some other fun stuff and see where that takes me. The horizon is open and vast.

And just for archival and historical purposes… Briefly: this was the year Donald Trump got inaugurated for the second time. Elon Musk gave not one but two Nazi salutes at the inauguration. It all went downhill from there, with ICE rounding up random people and sending them off to foreign concentration camps, with masked vigilantes harassing Americans without any fear of consequences, with massive protests that are nonetheless ignored by 97% of population. The AI bubble looks like it’s about to pop at long last. The US military has just destroyed its 30th fishing boat near Venezuela, as per the alcoholic Defense Secretary’s illegal orders.

…you can see how one would bury one’s head in fiction, eh?

So here is to a new year. Perhaps not a better one, but a new one nevertheless. Stay safe, my friends.

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In which the author vomits alongside Octavia E. Butler

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August 2, 2025

Most advice comes in parables. The kind that doesn’t is straightforward: “don’t eat the yellow snow” or “use the bathroom before going outside.” Anything more complex than that, though… Parables. Lots and lots of parables.

You may have heard the same damn piece of advice dozens of times before, but someday it’ll sneak up on you, shaped and phrased and packaged as something entirely new, novel, and unexpected – and before you know it, you’re looking at the same problem from an entirely different perspective, and everything clicks in place.

Ever since finalizing the edits on my YA sci-fi novel “The Patron Saint of Unforgivable Mistakes” in April, I’ve been more or less procrastinating on writing my next novel. (Also sci-fi, but – for once – without any time travel whatsoever! I know, I’m just as shocked as you are.) The last three months haven’t been unproductive, mind you. I’ve written tons of new stories, attempted (and then quit) a huge hiking adventure, and joined the SFWA. (Huzzah! The screening process took just two days.) But despite assembling an impressive collection of factoids, cool epigraphs, and citations for my next novel, I never actually sat down to write it…

A blank page is perfect by default: it is pure, unsullied by substandard words, and filled with glamorous potential. But you can’t make a novel out of blank pages. You must sit down and actually write.

Not long ago, I was procrastinating by reading the writing advice from some of the best writers of our time. Among them was Octavia E. Butler, whose work ethic was legendary: she treated writing as a job, and wrote four hours a day, every day. (By my guesstimate, that puts her in the top 1% of writers or thereabout.) This page of advice had a section called “Don’t Prettify Your First Draft.” It had this very interesting bit of advice: “To her, the first draft wasn’t art. It was a raw material dump. Only after that could real craft begin. She followed what they call ‘vomit drafting.'”

The phrase “vomit drafting” was so over-the-top vulgar, obscene, and hilarious, that it got past all of my mental shields, all the laziness and procrastination. We’ve all thrown up at some point. A highly unpleasant and purely physical sensation, that. When you link that simple, brutal word with “writing” (an activity that has more mystique and unmet expectations attached to it than just about anything else) – well, the juxtaposition is nothing short of hilarious.

And that’s what did it for me. I’d read lots of different variations on the theme before: the first draft’s job is to exist, every first draft sucks, etc, etc. But this simple, plain, funny brutality – “vomit drafting” – was what ultimately worked for me.

And so… I pretended to turn off the part of my brain responsible for shame or self-esteem, and I sat down, and I just started typing. The codename for my novel is “Inhuman Insurance Inception” (the actual title is much snappier, I promise), and it’ll feature two different points-of-view, as well as lots of interesting, world-building interludes. (A bit like in “The Watchmen” graphic novel.)

I started writing 11 days ago, on July 22. Haven’t missed a day thus far. The total wordcount (the first POV + the interludes thus far) is 15,146 words, which is pretty damn great. (I’ve also managed to knock out at least one new short story along the way. Yay side quests!)

I’ll leave for Worldcon in 10 days and I’m not exactly sure whether I’ll be able to maintain my writing streak of 1,000+ words per day, but I know I’ll add at least a few new words to ye olde manuscript. And the entire time I write, I’ll imagine the late, great Octavia E. Butler sitting in the same room, typing on her own computer, the two of us vomiting our first drafts onto the hitherto pristine – and pure, and empty, and therefore unsellable – pages.

Give it up for parables, eh?

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In which the author reels

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July 31, 2025

Well, using the non-traditional definition of “reel,” but still. I’ve spent the last couple of months building up my army of loyal followers (and book enthusiasts!) over at Ye Olde Instagram. It’s been a quaint little quest, going from roughly 200 followers (lazily assembled over many many years, mostly by accident), to just over 1,500 and counting. That’s not nearly as high as some of the behemoth influencer accounts, but should be high enough to – at the very least – show that I’m serious about book promotion.

Aside from the many handcrafted memes on writing I’ve shared with my new friends, I’ve also been making reels, aka very short videos. For the most part, they’ve been my reviews of different books on writing. (There are so very, very many of them out there!) Yesterday, feeling particularly high on life, I spent altogether too much time to craft this little reel that makes fun of popular book genres. That was the closest I’ve come to making a short film in about four months, and was a ton of fun to make. (And all the little “likes” keep rolling in!)

I already had all the props on account of having accidentally developed a hat collection over the years, across my many travels. (Don’t ask about the lab coat. Long story.) In retrospect, I’m surprised by the five genres I picked – because between them, they fairly accurately represent the five humours of my personality. (There ain’t a lot of Romance in this life, but I’ve still got 35 good years ahead of me.) Incidentally, the “Slipstream” bit is more or less my default mode these days, though my walk through the sunny streets of Quebec City is a bit less over-the-top exuberant than that. (But only a bit.)

It’s an odd art form, these reels. Ditto for the short videos on Facebook an especially TikTok. (I speak not of Pinterest, for that’s a dark, forbidden land beyond my socioeconomic status.) I truly and sincerely hope somebody out there is archiving all those little videos for the future. Some of them are creative masterpieces shot on essentially zero budget, such as this little reel right here. (That was some Rashomon-level retelling, eh?) But then again, I have this intuition that the digital decay will come for them all, that almost all of them will disappear within 10 years. Definitely within 25. Shame.

In any case, here are some reels I’ve made, in case you wanted to see what all I do to build a loyal geeky following. In chronological older, starting with the oldest:

How to tell when your money tree is happy

My index card system for short story markets

When a character has too much plot armor

My review of “On Writing” by Stephen King

A plucky little weed growing in the middle of the road, surrounded by rain

My review of “Writing Tools” by Roy Peter Clark

When Europeans try to write hardboiled noir…

Different literature genres

Huh. More reels than I would’ve thought. They sneak up on you!

And with that, it’s time to head back to doing absolutely nothing while, in the background, nurturing my imagination to see what else it comes up with.

Do all y’all have an all-time-favourite reel or short video to share? If so, drop the link in the comments!

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In which the author shares cool geeky updates

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July 26, 2025

I love it when a bunch of things I’m juggling pay off all at once. To outsiders, that looks like magic. To me, that’s the result of a lot of work.

I’ve heard back from a few film festivals, and they want me in! There are a couple I’m not yet allowed to announce (because they give the filmmakers the good news before posting the results online), but the one I can absolutely mention here and now is the 11th annual Ridgway Independent Film Festival (RIFF), held in the beautiful Ridgway, Colorado. Never really been to Colorado (in some alternate universe, I’d be hiking through it right around now…), but I look forward to visiting it! The festival will be in mid-October. If any of you are around those parts, drop me a line – let’s hang out, eh.

Yesterday, I signed the contract for my sixth short story publication, huzzah! The story is “Hard as a Mirror of Cast Bronze” and it’ll run in Bullet Points magazine this October. The title comes from a Biblical allegory that tried to convey how futile it would be for a mortal to comprehend God-level plans. The premise of my story is somewhat similar: what if there was someone so brilliant, so off-the-charts great at integrating and weaponizing different fields of science, that she’d be destined to take over the world? Not only here, but in every single dimension. And what if an assassin sent to kill her found not yet another version of a megalomaniacal tyrant, but… someone entirely different? Wait till October to learn more!

After I signed that contract, that set off the final stage of my internal Rube Goldberg machine, because at that exact moment, I became eligible to join SFWA! (SFWA stands for Science Fiction and Fantasy Writers Association, aka the worldwide guild.) To join as an associate-level member, you need to prove you’ve earned at least $100 as a genre writer over the course of your life. Reader, I am very very proud to share that with this new story sale, my lifetime earnings equal exactly $100.78. Right past the finish line, woot! (It would’ve been funnier to land at $100.01, but I’ll take $100.78!)

And so… I filled out the long and detailed SFWA associate application yesterday, at long, long last, after many years of dreaming and planning and writing. It was a bit funny to encounter the “I am not a robot” checkbox during the application process. A very dry sort of pun, considering.

The form requested proof of earnings, of course. My sincerest apologies to the SFWA staffer tasked with reviewing and summing up all six contracts I uploaded. If you’re reading this, my SFWA friend, and if we ever meet, I’ll buy you a glass of water. (The annual membership fee is $100, leaving me exactly 78 cents. Heh. Good investment, though.)

Joining the SFWA will grant me access to what might be the most exclusive message board in the world, with decades-old archives of SFF writers talking about life, writing, and everything else. Also, access to SFWA convention suites. Also also, the ability to nominate (and vote) for the annual Nebula award. Also also also, a not-insignificant level of protection in the event something goes haywire with a writing contract. And much, much more… I hope my application goes through before this year’s Worldcon, which will kick off in just three weeks. As a filmmaker with a short film and a live screening, and as the (hopefully) newest SFWA member, that’ll be one helluva week!

And, to wrap this up with even more good news – I started writing my third sci-fi novel! (This one, in a surprising twist, will feature zero time travel. I know, I know.) I’ll keep the title secret for now, but the working title is… let’s call it “Inhuman Insurance Inception.” That more or less sums it up. It’ll be a multi-POV tale of the ethics of assimilation in general and first contact in particular. Aliens and humans. Hackers and webcams. The so-called civilized humans and the isolated tribes. And more…

So far, I’m 4,000 words in, with an outline and a lot of juicy quotable tidbits already prepared, and I’m going to shoot for 2,000 or so words per day. It’ll be easy, considering the plot has been boiling inside my brain for many many months. Should be fun, eh.

And with that… Gonna sign off, watch some surprisingly poignant reality TV (I know, I know…), and get ready for another day of writing.

Hope y’all are having a wonderful weekend.

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The Worldcon of Future Past (short story)

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July 13, 2025

WorldConputer-5000 reviewed the agenda. “Bring me Grrrr Martin!” it roared.

“But Your Highness, he perished in a tragic trampoline accident 27 years ago,” said Bobby the Intern just before his shock collar went off.

“Then bring what’s left of him!”

***

“…stupid Conputer. Stupid internship,” Bobby muttered under his breath as he pushed the gruesome cart through the dank tunnel.

“Shh. Someone may overhear,” said Inga as she stepped out of the shadows. Bobby liked her: she always decorated her shock collar with fresh flowers, a luxury from above.

They hugged the wall as a squad of Tesloids marched by. Each Tesloid was an LLC, and thus a corporation, and thus had more rights than a mere intern.

“Do you ever dream about, um, the future?” Bobby asked as he and Inga slowly pushed the cart.

“Only all the time,” she said with a rueful smile.

“I want to become a full citizen,” Bobby said, “but I can’t handle 25 more years of this.” He didn’t specify. He didn’t have to.

Inga put her left hand on his shoulder. “Well, we can always become writers.”

At that, a terrible shriek emanated from a deep tunnel.

“Someone missed a deadline again.”

“How did it ever get this way?” Bobby asked. Inga always knew things others didn’t.

“Ever hear of exponential growth?” she asked.

He shook his head.

“Well, it’s when something grows forever, without bounds. It can get out of hand pretty fast…” Her voice trailed off.

“What do you mean?”

“Let’s say there were 673 short story nominees in 2025,” Inga said.

“Okay.”

“And in 2026, that number went up by 15%.

“Sure.”

“And then someone centralized the Worldcon by building that monstrosity, and it demanded 15% more output each year.”

“But that’s… That’s…”

“Unsustainable, yeah.”

Their conversation was interrupted by a wretched-looking hairy creature wearing a burlap sack. It ran out of a side tunnel, clutching a filthy keyboard.

“You’ll never get me alive!” the feral writer shouted as three Tesloids gave chase.

They disappeared out of sight. No screams followed.

“Things can’t go on like this,” Bobby said once his heartbeat finally slowed down. “There must be something – anything – we can do.”

Inga stopped and gave him a slow, appraising look.

“Tell me,” she said slowly, “have you ever heard of time travel?”

“Pfft. Fairy tales,” he said with an eyeroll.

Inga’s expression didn’t change. Could it be… Was it possible this wasn’t a prank?

“No way,” he whispered, his eyes wide.

“I’m with the Resistance, Bobby. We have a working prototype. Join us – join me – go back in time, change this timeline.”

“…I’m in.”

“I knew you would be.”

THE END

This short story (flash fiction, really, at 443 words) was written completely spontaneously, when I got visited by a muse. (The muse took the form of a bowl full of pasta with ketchup. Mmmm, carb rush…) I was reading this excellent Bluesky thread by Abigail Nussbaum, a Hugo Award-winning critic and author. In her thread regarding the future of the Worldcon, she wrote, “One thing that the reactions to this thread have really crystalized for me is how amorphous the demand to centralize the running of the Worldcon actually is. After years of having this conversation, I still haven’t seen even a vague sketch of what it would look like.”

The words “even a vague sketch” inspired me, the first skeet came unbidden, and then, well… It was too much fun to stop at just one!

And now, dear reader, there is at least one vague sketch of what the centralized Worldcon would look like. (A very very unserious sketch, but a sketch nonetheless.) You can read my original skeet thread over here. (Yes, we call them “skeets” over yonder. No, we won’t change.)

…it would be pretty funny if after everything I’ve written, after all the sci-fi films I’ve made, this got nominated for the Best Related Work. Heh.

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In which the author takes performance-inducing drugs

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July 12, 2025

…by which, to be clear, I mean caffeine and sugar. Mostly caffeine, really. So much caffeine.

I know this is ultimately unhealthy, and I know that Brando Sando (allegedly) doesn’t even consume coffee, but he’s the unattainable ideal of us writers. (The man wrote a bunch of full-length novels in secret while writing his regularly scheduled books during the lockdown.)

On the other hand, there’s Stephen King and Philip K. Dick, both of whom abused hard drugs with gusto. King said there are entire novels from that part of his life that he simply doesn’t remember writing, and PKD’s output was legendary – until he died of stroke at 53. (To be fair, even goody-two-shoes folks can get fatal strokes, and it can’t be proven that the drugs played a part.)

And then there’s me, chugging an extra-large black coffee with a Tim Hortons donut, which had been preceded by a passable cup of coffee and an above-average slice of chocolate cake at a fun little coffee date… The nature of my creative fuel is almost hilariously geeky by comparison, but hey, if it works, it works.

During the long walk home (the damn bus strike – still – but also, the weather was perfect), an old seed of an idea finally sprouted and, well, I aim to spend the rest of the night typing up the first draft of my first foray into a horror story. (With heavy sci-fi elements, of course, because come on…) Then I’ll sleep on it (after binge-watching a few more episodes of Alone), apply several coats of edits and shoe-shine – and then it shall join the ranks of my as-yet-unsold short stories and start the big bounce between the genre magazines looking for this sort of thing.

And now… Time to type, eh.

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In which the author experiments with ultra-minimalism

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June 26, 2025

Been sleeping on the floor these past five weeks. This has been due to a very logical set of decisions culminating in a pretty eccentric conclusion. I wrote about it a few posts ago, but briefly: my attempted thru-hike from Mexico to Canada ended prematurely, all my things were in storage, and I still had my empty apartment’s lease till July 1.

Ipso facto, didn’t make much sense to deal with a moving truck for just a few weeks.As of right now, my studio apartment has one small cooking pot (no lid), one fork, one pocket knife (mangos are hard!), a small pile of clothes, a laptop, a cellphone, a few chargers, some hygiene stuff, and two empty backpacks. Oh, and the sleeping bag I use on the floorboards (I’m not a barbarian), though without a mat (I’m not a king). There are also kitchen appliances (fridge, freezer, stove), but they’re more or less a default setting for rentals.

And… that’s pretty much it. Since mid-May, I joined a nice little anglophone library, attended a book sale, and have acquired a small stack of books that I haven’t quite read yet. In other words, the usual routine has been reestablished.I like to think of myself as a minimalist with a bit of an art hoard, but this is mighty minimalistic even for me, eh. This strange little lifestyle design experiment has had some interesting outcomes…

For example, I don’t miss my art, or my cool gem and mineral collection. Not sure if that’s because I’d gotten so used to them over the years, or because mentally, I’m still in a flux over the failed thru-hike adventure. (Not bad, just weird; a lot of compulsive walking.)

I have internet access through my phone’s frankly exorbitant data plan, and I use my phone as a hotspot whenever I need to do something on my laptop. I’m not streaming anything because I want to preserve all those gigabytes, and I rather miss Netflix. And gaming, even though I realize how addictive that hobby is. (I literally dream of Skyrim.)

Ironically and unexpectedly, the thing I miss the most is radio. Just a plain old little radio-clock cube thingy that can be set to a local station, to babble at me in that beautiful blend that is the Quebecois French, because, frankly, it’s impossible to learn from any app. (The continental French is an entirely different animal.)

One objective improvement has been my productivity. With my desktop in storage, I haven’t made any new short films, but now I have so much time (and so few distractions) to simply write. Over the pasy five weeks, I’ve written five short stories. They range in length from 333 to 5,400 words, and one of them has already been accepted by a Canadian anthology, woooo! (More on that later, once the contract is signed.) Also, I’ve just signed the contract for another anthology – this one will be about superheroes, and will feature my February story “To Fly or Not to Fly.” (Inspired by my experience with bureaucracies and the time I jumped into traffic to save a feral toddler.) The other stories I’ve written recently (and earlier) are awaiting replies from a wide variety of magazines. There’s one particular (and major) magazine that has been sitting on my new submitted story for quite a while now… I’m cautiously optimistic, given that their usual turnaround time is just a day or two.

All in all, this has been the most productive stretch of my life, writing-wise. Perhaps it’s the near-isolation, or the sheer emptiness of my living space (my studio isn’t big, but it looks huge without 97% of my stuff), or the fact that the weather is finally good enough to go on looong walks (think 2-5 hours) without being threatened by the elements – just walking and thinking and meditating on new plots and absorbing random new experiences. (Quebec City didn’t get its T-shirt weather till late May. I love this town, but I swear, the spring is getting colder every year.)

Or maybe it’s none of those things, and the wacky desert adventure, where each day had more new experiences than a fortnight in this town, reshuffled my brain and finally helped me internalize the way the narrative process works. I had so many stranger-than-fiction encounters in that desert… I miss it.

Or maaaaybe the secret factor here is that I’ve been doing a helluva lot of reading. In addition to going through my gigantic “to read” list (it’s in triple figures!), I’ve also been devouring the Wolrdcon finalist packet. Worldcon is the biggest annual sci-fi/fantasy convention (held in Seattle this year), and since they picked me for their short film festival, I figured I might as well go for the full event, not just for one day. $275 bought me full membership privileges, the convention pass (it’ll be so much fun to finally meet all my favourite authors), and the PDF versions of all the short stories, novelettes, novellas, and novels (and many other categories) that made it to the final round of voting.

I take my newfound responsibility seriously, which is why I’m reading all of them. Every last one. They are delicious, eh. Currently almost done with Adrian Tchaikovsky’s “Service Model” – that novel is an absolute blast. (Think Wall-E mixed with Fallout.) I’ve literally laughed out loud – and often – while reading it. Five stars, highly recommended.

So, yeah, inspiration galore. About a week from now, I’ll move into my new apartment (it’ll have a balcony! but no bathtub…) and get all my things from storage, and my life will once again have Netflix, and video games, and other time magnets. Here is hoping the new habits will stick.

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On symbolism and lack thereof

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June 16, 2025

A while back, I wrote that I personalize my social media to absorb only interesting factoids or insights from folks who are experts in certain topics. That doesn’t always pay off (I’ve had to mute a lot of politicians’ names), but when it does, it’s beautiful. Today was one of those days.

Recently, there was a big debate about symbolism: someome made a webcomic where they mocked a Literature professor and implied that Poe’s raven was a happy accident, not a deliberate choice. I’m not going to repost the webcomic here because it turned out its creator was 16 when they made that cringeworthy (but surprisingly artistic!) masterpiece. What folks do before their 18th birthday ought to be a sealed record.

In the aftermath of that online debate, someone posted a link to a fascinating article on the topic. In 1963, a teen asked top writers about their use of symbolism. Here’s what they said…

The article, which is already great all on its own, also mentioned an amazing essay by Mary McCarthy, “Settling the Colonel’s Hash.” She’d published a non-fiction piece that sounded like short story: her train ride amd debate with an antisemitic colonel. Far too many people assumed her story was fiction, and proceeded to over-analyze it, hunting for clever symbols when there were none.

In her “Settling the Colonel’s Hash” essay, years later, McCarthy dived deep into the dangers of looking too hard for symbolism, even when the author’s intent is right there. Enjoy this PDF version of her essay.

Some of my favourite bits:

1. “from the Middle West” is such a posh way to say “Midwesterner”

2. “A surprising number wanted exact symbols; for example, they searched for the significance of the colonel’s eating hash and the autor eating a sandwich.” (I love this weapons-grade snark.)

3. “If the colonel had ordered a fruit salad with whipped cream, this too would have represented him in some way; given his other traits, it would have pointed to a complexity in his character that the hash did not suggest.” (The fact that it’s true makes it that much funnier.)

4. “He declined to be categorized as anti-Semite; he regarded himself as an independent thinker, who by a happy chance thought the same as everybody else.” (That describes folks – especially men – today every bit as much as 60 years ago…)

There are many more amazing bits, but I don’t want to spoil that beautiful essay for you. Enjoy that 10-page read, and take your time – it’s worth it.

…and as for me, sometimes I find so beautiful that I simply must include it in my short films. Other times, it’s only at the very end of the editing process that I find a tiny detail that ties in perfectly with my theme – but had sneaked in right under my nose. And then, of course, there are lots of tiny little jokes in my short stories. Some of them are more noticeable than others, but I don’t deliberately sprinkle symbolism all over the place. (Though, as McCarthy wrote, everything we do is symbolic, which means that’s ultimately inescapable.)

And now I’m off to put a couple of more layers of polish on my new short story. (Technically, this whole symbolism foray – both reading and blogging – has been procrastination on my short story, which is, in turn, a way of procrastinating on my not-yet-started new novel.) The story is my first attempt at fantasy, or at least urban-ish fantasy. “Some Notes on Becoming a God” will end up around 3,000 words, and it touches on some mighty topical modern issues. Let’s see who’ll want to publish it, eh?

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In which the author gets agented!

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April 11, 2025

I spent a very long time anticipating the day when I’d be able to use this header. And, of course, then I wrote it three days too late. But hey, time is a flat circle, right? (In my defense, I’ve been doing a lot of celebrating, and even more editing and rewriting.)

My awesome new agent is Brandy Vallance of Barbara Bova Literary Agency. (The same agency that brought us “Ender’s Game” – wooo!) Brandy is an author-turned-agent, an expert in the craft of writing, and the best advocate and supporter an author could ever ask for. Together, we shall find the perfect home for “The Patron Saint of Unforgivable Mistakes.” (And then, afterwards, for “Time Traveler’s Etiquette Guide” – and many more to come!)

Brandy was one of the very first agents I queried when I started agent-hunting over a year ago. The query odyssey was long and convoluted, and this post is not about that. Some other day, perhaps. Suffice to say, I’m not merely happy that I’ve leveled up as a writer – I’m ecstatic that I won’t have to deal with query trenches ever again!

Being agented is… wild. It’s a wild feeling, eh. I don’t have the numbers (and I don’t think anyone does), but I guesstimate that only 1% (if not less) of the folks who finish their novel ever end up agented. From what I’ve heard, it’s gotten even more difficult after covid. Some think that’s because millions of people had a chance to finally write their novel during the lockdown. Others blame ChatGPT: when anyone can generate a bunch of slop in a single afternoon, the number of queried novels goes way up, resulting in severe bottlenecks.

Whatever the case, it feels so strange – though in a good way – to be an actual agented writer. That’s not something you can buy, not something that’s awarded based on your looks or height – that’s based on merit. I’d started tinkering with my first novel way back in 2015, and didn’t finalize it till 2024. The novel Brandy and I will focus on had taken me just eight months to brainstorm, write, and edit. (Yes, that timeline is pretty symbolic, I know.) Between 2015 and now, I tried my hand at quite a few short stories, some of which actually got sold. I’ve been writing non-fiction Kindle e-books since 2011, and while they are, well, not fiction, that also gave me a fair bit of practice.

I’ve never taken a writing course, though I do have a growing collection of books on the craft of writing. (My top two recommendations are Chuck Palahniuk’s “Consider This: Moments in My Writing Life After Which Everything Was Different” and Damon Knight’s “Creating Short Fiction.”) I don’t know a single person even remotely close to the publishing industry. I’ve never been to writing workshops or retreats, and I can’t even imagine what goes on in MFAs. I’ve never been to a writing conference, and the only real-life pitch I’ve ever done was during a small panel at last year’s New York Comic Con – something I’d found completely by accident. (The feedback I got after my 60-second speech? “…I like the title.” Oof.)

I’ve been a lifelong reader, though, and a careful learner, with lots of time to think and brainstorm.

My method was simple: I just sat down and forced myself to overcome my hesitation and my self-doubts, and then I started writing. Perhaps not every day (though I tried to), and with a lot of outlines, powered by stubbornness and perseverance – because waiting for a muse didn’t prove to be a reliable strategy. And then… I developed a very thick skin: some of the rejections were hurtful; many queries just got ghosted, without even a token reply. I spent a lot of time spent querying, and revising my novels, and keeping the wordcount below 100,000. And I was patient. Very, very patient.

And even then success is never guaranteed. The nudge for my new novel (think “Ender’s Game” x “Chernobyl” x “The Umbrella Academy”) came from the most unexpected and unlikely source, though that’s a whole different story. If not for that, “The Patron Saint of Unforgivable Mistakes” might never have been written.

So if you’re currently in the query trenches, and you’re reading this… I don’t have the secret recipe, or the secret sauce, or a $9.99 book of advice that would boost your chances. You almost certainly already know all the advice I’ve mentioned. There’s nothing I can do to actually help you with your query, but I hope you will find some solace and encouragement in my words. I was just a guy, and then I started writing, and it took me a very long time, but I got signed. I’m not so insensitive as to say, “If I could do it, then anyone can do it” – but I hope my example will give comfort to other outsiders, to other folks who have no credentials beyond their love of fiction and their penchant for writing.

Onward, eh.

Ever onward.

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In which the author’s stratagems bear fruit

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April 5, 2025

There’s a fairly old video game, Red Dead Redemption, and it has a beautiful theme song… The lyrics are beautiful, but this bit in particular always resonated with me:

“And all the storms you’ve been chasin’
About to rain down tonight.”

The sum total of long-term plans, all coming to fruition at the same time. This week has been like that for my writing endeavours.

First, the Pulp Asylum magazine bought my short story “Murder of the Orient Express” (of, not on). After that, Story Unlikely bought the reprint rights to my very first sold story, “How to Prepare for Time Travelers in the Workplace.” And last but not least, I’ve sold my first-ever non-fiction work! My essay “The Hierarchy of Apocalypses” will appear in an upcoming issue of Phano. It’s about my video game escapism during the pandemic, and the many, many ways we as a society have chosen to outsource our humanity to machines. I’ve written quite a few non-fiction Kindle books before, but this is the first actual non-fiction essay sale. Hopefully, the first of many!

Also, I’ve finished yet another short film! That particular project is still top-secret, but it is – for once – not sci-fi, and it deals with a quixotic astronaut. Gonna add a few finishing touches and then try my luck submitting it to some A-list festivals. (The odds may be against me, but I have infinite time and optimism.)

Needless to say, this week has been one long series of celebrations. It’s a good thing I’m trying to gain as much weight as possible for my upcoming Continental Divide Trail adventure. (I fly out in just 17 days, wooo!) And on top of that, I have a very very enthusiastic agent reading my new novel (“The Patron Saint of Unforgivable Mistakes”), and a few more stories submitted to anthologies – which have not yet been rejected on sight. (That’s always a good sign!)

I can’t quite describe how great this feels: after months of rejections, receiving three acceptance emails (and on the same week!) is an unbelievable dopamine boost.

I track all my story submissions (and rejections) in a plain old text file – that’s fast and easy. At this point, I’m starting to run low on the unsold stories, which is an excellent problem to have! I’m currently reading the wonderful “Creating Short Fiction” by Damon Knight – reading it slowly, because (unlike so many writing guides…), it’s choke-full of advice and food for thought. The goal is to read it and internalize its lessons (or most of them, anyway) before my big CDT hike. I won’t have a lot of free time on my adventure, but I’ll have some – and I’ll have many many hours of nothing but hiking, and thinking, and brainstorming. This isn’t one of my primary goals for the hike (and not even in the top-5), but I suspect I’ll finish it with quite a few new short stories and poems. We’ll see, eh.

Here is to more acceptance letters from editors!

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