Tag Archive: film festivals


That very specific and unusual sensation when you’re traveling for more than 48 hours in a row (Ridgway, Denver, Quito, Manta) and you’re almost constantly in motion, across state lines and countries and continents and hemispheres. Untraceable and everywhere and nowhere…

Colorado was as fun as it was beauitful. Denver reminded me of Portland, only higher. I didn’t get to spend a lot of time there, but the parts I saw were creative and memorable. I had two days between film festivals, so I stepped wayyy outside my comfort zone, joined the Couch Surfing site (I didn’t even know couches could swim!), and got a free night stay in Denver. Major kudos to Tony, a cool Vietnamese-American guy who let me crash in his comfy attic. Going up and down on a metal ladder made the experience that much more surreal and entertaining.

If you ever travel across Colorado, I very highly recommend the Bustang bus: they accept cash, the buses run on time, and – unlike Greyhound – there’s zero smell.

My Couch Surfing request in Grand Junction didn’t work out, so I got an AirBnB room at the edge of town. The following morning, trying to be a good tourist and sidestepping the road construction, I fell into a ditch and got covered in mud. After a quick detour to the construction site’s portapotty and a very slow-motion clothes change (just like that Deadpool trailer with the phone booth), I emerged in my spare pants. (Later on, a washing machine reatored my jeans and sweatshirt to their original condition.)

That did leave a lot of mud on my boots, though… For the rest of that morning, until my 1:30pm bus to Ridgway, the locals kept giving me the stink eye. Haters.

My phone, which is almost but not quite waterproof, got quite a bit of mud into every single port. It was a bit touch-and-go there, but the phone camera came back to life fast, and the phone’s speaker and microphone went on strike before resuming their duties. One helluva mud ditch, eh.

On the upside, I met my first-ever supervillain-coded person! The locals know her as The Crusher: she collects all their unwanted electronics and gadgets (mostly printers) and then disassembles them. The valuable bits go to industrial recyclers, while the rest goes to the plain old recycling. That’s something I’ve always been curious about (see my 2020 lockdown posts), and it’s beyond exciting to learn someone out there has actually made a business out of it. May your salvage be ever fruitful, Crusher.

I noticed something odd while wandering around the downtown Grand Junction, muddy boots and all. That town of 71,000 people didn’t have a single diner that served an old-fashioned slice of pie. When I asked the locals, they got the “Mandela effect” look on their faces before saying that no, there aren’t any slice-o-pie places anywhere in town. How bizarre. Feels like that’s linked to the disappearance of third space, a la “Bowling alone.”

I settled for a giant chocolate chip cookie at some hippie-themed coffeeshop. It wasn’t bad. The barista was fun and flirtatious.

And then, at last, a bus to Ridgway – a dark-sky town of 1,000 people. They arranged a free hotel for visiting filmmakers, which is almost unheard of in our community. Fun little town. Lots of public art. (But no sliced pie. The mystery deepens!) Great mountain views. A truly dark sky. A stargazing party on a Saturday night: the brightest Milky Way I’d ever seen, and lots of locals with their telescopes, letting the rest of us look at the distant nebulas and planets. (Here’s looking at you, Jupiter.)

The festival itself was… It wasn’t perfect. It had many glitches during the film screenings. Its director was sick and unavailable for the duration, so maybe that was why. The award ceremony randomly got rescheduled and held 30 minutes earlier than scheduled. I hadn’t expected to win, and I didn’t, but it would’ve been fun to cheer for my new filmmaker friendos… As it was, we all sat through a full hour of local improv (they were enthusiastic, but that’s a lot of improv, y’all), after which everyone just got up and silently walked away. That, in and of itself, felt like some postmodern art performance. When some of my new buds explained the actual award ceremony had happened 90 minutes ago, I called them liars until finally conceding that yes, the facts did seem to fit their quaint narrative. Ah well.

But that was on sunday. On Saturday night, my short film’s screening had gone fairly well, and since I was the only filmmaker in attendance for that block, the Q&A section was entirely mine. That’s pretty rare, eh. I took the opportunity to edumacate the small but lively audience about all the cool public domain videos they could use for their own filmmaking experiments. The anxiety of small glitches had gotten to me, so I was in my “talking fast and gesticulating and grinning” mode rather than the “cool and suave foreign filmmaker” persona. For what it’s worth, the audience seemed to understand and appreciate my words. With any luck, I’ll get a do-over next year. Live and learn and improve.

After the non-award award ceremony, I used my political science skillz to corral all the remaining filmmakers into an afterparty at the hotel’s bar. (Great loaded fries!) That experience, with just the six of us sitting and sipping beer and talking about filmmaking, was the single best part of the festival for me. (Though, once again, the locals’ hospitality was wonderful.) We all headed back to bed once the bar closed for the night at 9pm. (Small town, eh.) Much fun was had.

And so my first-ever Feral Artist Nomad odyssey ends. Three back-to-back film festivals, two weeks, many new friends, an offer to crash at a new buddy’s place if I get into the Durango film festival. (I submitted my comedy sci-fi film just ahead of the final deadline. Toes and fingers crossed!)

…sometimes, I go two whole days in a row without thinking about her…

Typing this up on the bus headed to Denver – a long ride, but cheap, and with beautiful views. From there, a red-eye flight to Ecuador by way of Atlanta, and a night at a motel right across Quito’s bus station, and a looong ride to a beach town where my Workaway volunteer hosts await – because to hell with Canadian winters.

But that’s a whole different adventure.

Onward.

Such a small world.

The bus that took me from New York to West Reading, PA had two other filmmakers: Vanessa and Kathleen, the co-creators of the wonderful “Five Flights.” We chatted a bit before boarding the bus and then shared an Uber to Marriott’s. (Reading Film Festival provided two free nights to every filmmaker, woot!)

Our names were on the VIP guest list, so the check-in took literally seconds. The organizers gave me a bag of festival swag, two filmmaker badges (alas, I had no companion… but that meant double the drink tickets!), and an XXL-sized T-shirt due to the L-size mix-up. If I ever get a gf who likes wearing oversized shirts as pajamas, this will work great, eh.

After stashing my loot in my posh suite, I joined the first of the three separate filmmaker happy hours that night. In between, there was a 2-hour film block, but I can’t recall what was in it for the life of me.

And so it went the entire weekend: fun films all day long, all the beer and wine we could possibly ask for, and delicious food. By my guesstimate, there were about 40 visiting filmmakers (the local ones didn’t get the free hotel suites), and many new friendships were forged.

I showed off my very first film, “Please Don’t Send Help,” to quite a lot of applause and a fun Q&A with the audience and the event’s host. Along the way, I talked about my technique (making films solely with public domain footage) and trash-talked AI (which was really too easy).

The film block just before mine was “Animation and AI.” Three real animated films, three that were AI garbage. The sole filmmaker from that block who attended the event gave a brave, passionate speech: he’d spent months of his life creating and perfecting his short film, and it was slotted with that slop… The audience gave him one helluva ovation. One audience member actually asked the host to clarify which of the six films were AI slop.

That was a recurring theme throughout the weekend. Lately, AI cultists have been either bribing film festivals to accept their slop or downright spamming their submissions with infinite pieces of AI-generated videos. Each film festival that surrenders and accepts AI adds a bit more legitimacy to those dishonourable thieves. We’ve recently lost Telluride…

As far as I can tell, the Reading fest has added that section for the very first time. (This was their 11th annual festival.) I don’t think they’d anticipated the amount of backlash and anti-AI sentiment they would get. I told the festival’s runner that it would’ve been great if all AI-made (or AI-assisted) films had had a little mark next to them in the program. (It doesn’t have to be a scarlet letter, but that’d be nice.) I’m curious to see if that will happen…

Along the way, during my 55-hour stay in that town, I took very quick trips to see an old firewatch tower, the pagoda built by an eccentric German, and a small but sturdy castle where we had our very last (and small) afterparty on Sunday.

I also took an early-morning walk through downtown: they have so many beautiful murals, so much random street art… There must be something in the water!

I didn’t win any awards (and honestly, wasn’t even expecting to), but on that Sunday morning, I found out that I won the second place in the “Best Comedy SciFi Short Film” category at Brooklyn SciFi Film Festival. My first-ever film festival win – I’m honoured beyond words, and will ride that high for a very long time. (Also, now I get to add “award-winning” to my artist bio – huzzah!)

That Sunday night, after all the goodbyes, and promises to visit one another, and cake, and beer, I stood at the same bus station I’d arrived at, awaiting the bus to Philadelphia for my red-eye flight to Colorado. While waiting there, I realized two things: the “made in Reading” part of the festival was rather enticing, and the area right around the dark bus stop was quite picturesque… That resulted in me jogging around the block (backpacks and all) and filming just about everything on my Android phone. Got about 3-4 minutes of footage out of it: I’ll see if I can transform that into a short urban fantasy film. (For added difficulty, it’d have to be edited entirely on my phone: my computers are in storage in Quebec.)

The bus ride to Philly went well, but I can’t say the same about my bizarre experience with the city’s transit system at 11pm… After the second train suffered an identity crisis mid-ride and dropped me off in a weird-looking neighbourhood, I finally called a taxi. The driver was over-the-top apologetic for the way his city welcomed me. Good guy. Tipped him well.

And then… A night – and not even that – spent at the airport. People – and I use the term loosely – who thought it was fine to play loud videos on their phones at 1:20am as we all waited for the ticket counters to open. A 5am Frontier flight to Denver by way of Orlando, as well as a reminder why I rarely fly Frontier. My backpack cost me $70 since it was a carry-on item. The woman next to me in line was moving, so she had five gigantic (and bright-pink) pieces of luggage. They charged her $900 to check all of that in. She almost started crying… But ultimately accepted their terms.

Such a strange little world.

And meanwhile, a plane was waiting to fly me far away, to the Colorado mountains…

This little town doesn’t want to let me go.

I aim to move from here to Montreal (or at least move my things) four days from now, at the very end of September. And yet… Uhaul is unsure whether it can rent me a one-way intercity truck. The person taking over my apartment lease broke every deadline and will technically move in before her application is fully processed. And the landlord, who outed himself as a xenophobic racist and sexist when I finally cornered him at the sketchy, unmarked office, has made every excuse in the book and blamed everyone but himself for his company’s rather impressive lack of customer service.

Splendid, eh.

I’ll get out of here one way or another, even if that means pulling a cart full of stuff all the way from here to Montreal, but damn, the escape velocity this move demands is really something.

I’ve lived in Quebec City for four years and one month: longer than I’ve lived anywhere since college. Too long…

When, somehow and at some point, I finally stash my things in a nice, heated storage unit in the big city, I will be technically homeless for quite a bit: a few days at a hostel, a couple of big, fancy parties (the kind that only Montreal can offer!), and then I’ll kick off my two-week film festival tour: a daisy-chain of three festivals in Brooklyn, Pennsylvania, and Colorado. The first will involve crashing at my sister’s basement, while the other two provide free lodging to their filmmakers, huzzah! So many new friends, new experiences, new memories to bury the old…

That fortnight-long adventure will end on October 20th, after which (barring last-moment acceptance letters from the last two festivals in November), I’ll have absolutely nothing on my agenda for about four months, which means I’ll step wayyy out of my comfort zone and give Workaway a try. It’s a fun little setup: you find a host, pay for your plane ticket and insurance, work about 20-25 hours a week, and get a free place to stay and free food, as well as tons of natural beauty (or urban hustle, if that’s more your style). I’ve just sent an introductory message to an absolutely amazing farm in Ecuador, and if they actually reply… That’ll be amazing. (Giant-sized turtles! Organic fruit! Perfect night sky!)

And if they don’t, in fact, reply – well, my carefully curated list of favourite Workaway hosts (all based in South America, because these winters are getting to me) will set me up with more adventures.

Sometime around February, I’ll fly back to hit up more film festivals. Over the past few weeks, I’ve applied to about a dozen writer-in-residence openings and grants. (That involved typing up a chapter from my creative non-fiction proposal in record time, and then submitting it literally five minutes before deadline!) Frankly, no idea if I’ll get any of them. The odds are stacked against me, but aren’t they always? Can’t win if you don’t try. I figure that my list of film festival screenings (seven so far, with more on their way!) and published story credits has me firmly in the “emerging Canadian writer” category, and that ain’t nothing.

…but if I do not, in fact, secure any of those coveted writing/filmmaking opportunities, then there’s a very very good chance that, come April, I’ll open up my storage unit, drop off my stuff, pick up a carefully pre-packed backpack (tactics, eh), and fly out to San Diego to repeat my Pacific Crest Trail adventure. Unlike the one in 2022, hopefully it’ll involve a whole lot less yelling at my accountant every few days and a bit more fun. (Might even join a tramily!) In that particular eventuality, I won’t rejoin civilization until late August-ish, or just in time for the 2026 Worldcon. We’ll see.

I’m getting over the big breakup, but – as always – in my own way. For some reason, this month had quite a few deadlines for short story anthologies… So I went ahead and wrote a short story for each of them. All 10 of them. The grand total was roughly 26,000 words. Wordcount aside, this has been the single most productive month of my life, because my brain was in desperate need of a distraction. When you feed your subconscious mind 10 different prompts and tell it to get on it, the end result can be pretty amazing. I followed Charlie Jane Anders’s advice on writing: transmute your feelings into art, let them pass through you, and create something beautiful… Or something, in any case. Realistically, I expect at least three of those stories to get accepted. Almost certainly won’t get all 10. Five or more acceptances would be amazing.

Quite a few of my stories (three? four?) are coming out between now and New Year’s: the publishing industry’s schedule works in mysterious ways. I will, of course, share the links here with all y’all.

In another world, where my luck was a bit better, I would’ve finished the Continental Divide Trail thruhike right about now, give or take. That would’ve resulted in a very very different year… For one thing, my relationship would still be intact, though every bit as doomed. My short story portfolio would’ve been much smaller. I wouldn’t have attended the 2025 Worldcon, wouldn’t have written this essay that’s gone viral, and that, in turn, wouldn’t have opened some rather interesting doors for me… On the other hand, I would’ve had a whole lot more experiences and adventures and new friendos.

On some level, I’m pretty sure that all the stories I’ve written (and sold!) over the past four months have been an attempt to overcompensate, to do something worthy and productive after my much-anticipated hiking adventure ended far too soon. My life is quite a lot different now, because of everything I’ve done since my return from the desert, and my 2026 will be quite different as a result of that.

The other me, the one who (hypothetically) finished the CDT, would be gearing up to do the Appalachian Trail, aka every introvert’s nightmare (it’s where the entire east coast comes to hang out), and would be making a fair bit less art. Maybe. Possibly. Hard to tell for sure.

These last few days of September are filled with giddy anticipation: I want to fast-forward through the remaining time, to jump straight to September 30th, to get it over with, to start my new adventure. The type of giddiness and impatience that every nomad knows…

But meanwhile, I need to get ready for a little going-away party with my local friendos – one tonight, another one tomorrow. A fun way to pass these last few evenings, before embarking on my Feral Artist Nomad adventure of uncertain duration.

And so it goes.

Ever since my early retirement four years ago, I’ve been trying to have one big theme, one grand adventure per year. Last year, it was my quest for a literary agent: that one took a while, and required writing a whole new novel on top of the existing one, but it finally worked. (I’m very very happy to be represented by Brandy Vallance of the Barbara Bova Literary Agency.)

This year… Well, this year is going to be even more ambitious. About a year ago, I made my first-ever short film, Please Don’t Send Help. I created it using NASA’s archival footage, a $15 budget, and a whole lot of editing, which I learned on the fly. (Pro tip: DaVinci Resolve is amazing free software!) That got me into the Brookly SciFi Film Festival in, well, Brooklyn in October 2024, and then a much bigger festival, Dam Short Film Festival in Nevada just a few months ago. And now I’m hooked, eh.

The theme for this coming year will be “never-ending film fest party.” I’ve made a few more short films since my first one: How to Prepare for Time Travelers in the Workplace, So Long and Thanks for All the Bandwidth, Species Spotlight: Humans, and Drive Me to the Moon. (Good titles are very important!) The last one is my secret weapon, which I’ll try to send out to the biggest festivals of them all. I used the other three, along with Please Don’t Send Help, as part of my shotgun approach to film festival applications: I submitted those four at the same time in hopes that at least one of them will get their sci-fi curator’s attention. And if they don’t – well, life goes on.

Below is the full list of festivals I’ve submitted my films to thus far. My main criteria were reputation, vibes, and hospitality. (There are some small-ish fests on this list that nonetheless have a stellar reputation.) I’ll revisit this post in about a year, once everything is done. I’m sharing my list in the interest of full disclosure: if any other newbie filmmaker is reading this, I hope they’ll find my strategy helpful!

These film submissions ranged in price from free to $50 per film, and I’m not gonna lie – this cost me a pretty penny. However, a) if this works as planned, then I’ll spend the entirety of October and March bouncing from one amazing party to another, and b) if I get in, there’s usually an alumni discount (i.e., no need to pay the submission fee again in the future), and c) this is an adventure, eh!

I don’t expect to get into all 100% of those (though it’d be neat to get into the one in Finland: Quebec sponsors their filmmakers’ flight to that one!), but I think I have a fair chance with quite a few of them. Time will show how this grand project will play out: hubris, glory, a bit of both? We’ll see.

And so:

FestivalLocationDate
Festival de Cinema de la Ville de QuebecQCSept 10-14 2025
Cindependent Film FestivalCincinnattiSept 18-20
Healdsburg International Short Film FestivalHealdsburg, CASeptember 26-28
Cordillera International Film FestivalRenoSeptember 25 – 29, 2025
Portland Film FestivalPortlandOctober 1-5
ReadingFilmFESTPAOctober 9-12
Tallgrass Film FestivalWichita, KansasOctober 16-19
Hamilton Film FestivalOntarioOctober 17 – 26
SPASMMontrealOctober 22 – November 1, 2025
Coast Film & Music FestivalLaguna Beach, CANovember 1-9
Yucca Valley Film FestivalYucca Valley, CANovember 7-9
Centre Film FestivalPANovember 10-16
Cucalorus Film FestivalNCNovember 19-23
Utah Film FestivalUTJanuary 1-5 hahaha
Lookout Wild Film FestivalChattanooga, TNJanuary 10-18
Dam Short Film FestivalNevadaFeb 11-16
Beaufort International Film FestivalSCFeb 17-22
Sedona International Film FestivalAZFeb 22-Mar 2
Tampere Film FestivalFinland!Mar 4-8
Sonoma International Film FestivalCAMarch 25-29
Fargo Film FestivalNDMarch 17-21
Cleveland International Film FestivalOHApr 9-18
Julien Dubuque International Film FestivalIowaApr 18-25
Atlanta Film FestivalAtlantaApr 23-May 3
Stony Brook Film FestivalNYJuly 17-26
The Norwegian Short Film FestivalNorwayJune 11-15-ish
Nevada City Film FestivalCA (the “Nevada” part is a red herring)June 19-22-ish

And now I wait… Yesterday, the first of these festivals got back to me: ReadingFilmFest has accepted Please Don’t Send Help, so I know where I’ll be around October 10th! One down, 26 to go, woooo!

If my eventual cause of death isn’t “misadventure,” I will be very very surprised. For anyone in the distant future trying to make sense of my life and/or to create a facsimile virtual mind (good luck with that, bud), this here is a fine example of one of the core parts of my personality…

Quebec City’s bus drivers are on strike. Again. This time, the strike is 13 days long, timed specifically to coincide with the gigantic annual music festival, FEQ. I had been under the (very wrong, very misguided) impression that the strike had ended. That was incorrect.

When I got up, my plan for the day was fairly simple, as those things go: take a leisurely 90-minute walk (yes, 90) to the local Ikea, enjoy their 50% off Thursday dining hall, get a few tiny parts for my bookshelf (each move takes its toll, eh), then take the bus to the tourist sector, return a couple of library books, pick a new book, then rush back to the bus to take advantage of the 90-minute bus pass window, and head home. Easy-peasy, right? Wrong.

The 90-minute hike went fairly well: I got to experience a new (and not very impressive) part my city firsthand, with my own feet and nose and eyes. The Ikea visit was only partially productive, but their diner was fine as always. And then… Well, then I realized I could either walk 90 minutes back home, or 150 minutes (that’s 2.5 hours) to the tourist sector (aka Old Quebec), followed by a two-hour hike home afterwards. Reader, I chose option B.

I have two legs, high stamina, and way too much stubbornness for my own damn good. (Incidentally, this is yet another reason women usually live longer than men.) If I went home, I might as well have postponed all my library-related plans for 96 whole hours, assuming the strike ended on schedule. I support the drivers’ right to strike, but I also refuse to stay put. My 2022 PCT thru-hike is partially to blame: after you walk from Mexico to Canada, from that point on just about anything is in walking distance. It’s only a matter of logistics, really.

And, well, that’s how I got my 56,800 steps for the day, aka 28.4 kilometers or 17.6 miles. With a roughly 10lb backpack on my back. Also got a damn fine dose of vitamin D, and a bit of a sunburn on my face, but it wouldn’t be the first time. (Though, admittedly, the contrast between my arms (currently a nice shade of brown) and the rest of my body (Snow White’s long-lost brother from another mother) is mighty hilarious.

No regrets. Ever.

In creative news, my debut film (Please Don’t Send Help) has been accepted by two film festivals! One has asked me to postpone the announcement till later (secrecy makes everything more exciting), and the other one is ReadingFilmFest, an annual film festival held in the town of West Reading, PA. I’ve never been to Pennsylvania in my life, so it’ll be exciting to attend that fest in person in October. (Their generous assistance with lodging is much appreciated!) I’ll make another post soon about my rather ambitious plans to make a film festival circuit of my very own… ReadingFilmFest was definitely part of that list. One down, many more to go!

And now, time to lean back, enjoy a big cold beer, and play some Stardew Valley to unwind… Aww yeah.

Losses and wins

My desert adventure ended early. I wrote about it in depth on my trail journal. Short version: my legs got several injuries, the trail was a lot less developed than advertised (at least 10% included walking on the side of a highway…), and it was soul-crushingly lonely. It was considered normal to walk 3-4 days without seeing another human being. This year, in particular, there was a shortage of hikers, especially from other countries. (Probably due to the politics and the ongoing harassment of foreign tourists.)

The loneliness bit may have been partly due to bad luck. There was one experienced hiker (she’d done the Triple Crown (hiking all three major trails) twice) who managed to form a trail family of eight people around her by the time she reached the first town, 83 miles from the border. Impressive, that. Others ended up walking outside such bubbles.

The desert was beautiful, though… I’d never seen the Milky Way so bright, not even in the Sierra-Nevada mountains during my PCT thru-hike in 2022. Along the way, I explored the ghost town of Old Hachita – or what’s left of it. Those ruins were some grade-A Wild West Americana.

In the end, I made it 155 miles before calling it quits in Silver City, NM. The downtown Palace Hotel was incredibly hiker-friendly, and there were quite a few of us there. Many were recovering from their own injuries, most of them less serious than my own. It was a bit like a hiker-trash field hospital in that respect. My initial (and very very ambitious) plan had been to do the entire Triple Crown by completing the Continental Divide Trail this year, followed by the Appalachian Trail in 2026. But over at that hotel… Yeesh. Yeesh, I say. Multiple thruhikers (who had saved the CDT for last) I met would complain about how much they disliked the AT, and how they were forcing themselves to do the CDT.

I listened to their woeful laments, and nodded, and sympathized – and also asked myself, “Self, is that what I sound like?”

There comes a point when pursuing an overly ambitious quest becomes not merely eccentric or quixotic, but self-destructive, with not much fun along the way. A lot of that desert section was beautiful, and I met some unique and interesting people, but hiking on the side of the highway, alone, with coal-rolling trucks spewing exhaust in my face… That doesn’t count as a “National Scenic Trail” in my book.

…though to be fair, if my legs hadn’t decided to fall apart (should I have done more ThighMaster exercises beforehand?..), and if it had been just a bit less lonely, I might have carried on, if only out of sheer stubbornness.

Ah well.

The unplanned return back to Quebec was pricey: a flight from Silver City to Albuquerque (a very cheap, very tiny propeller plane; great experience!), from there to New York, and from there, an all-night bus back home. My apartment lease was still good until June 30th, so that’s where I’ve been for the past two weeks. No furniture (still in storage), only my sleeping bag, the contents of my hiking backpack, and a big bag of “welcome home” stuff I’d packed away for easy access. (The initial plan had been to finish the hike, get an AirBnB, and hunt for apartments.)

It makes no sense to hire a moving truck, move my stuff back here, and then move it back to my new apartment (just found one) on July 1, soooo here I am, trapped in the midst of strange logistics. Just an empty studio, a sleeping bag, a few books, my phone, and my laptop. (I use the phone as a hotspot when I need to do laptop-specific things.)

It’s a hilarious parody of a bachelor’s life (though fortunately, my girlfriend was glad to see me back early!), but on the upside, I’ve gotten quite a lot done. I’ve already finished a couple of new short stories, caught up on a lot of reading, and done some other productive stuff. If I’d returned to my TV, gaming computer, and unlimited internet, my productivity would’ve been a whole lot lower, eh.

I’ve got some good news, too. I always juggle a lot of different projects, and a few of them paid off:

My essay “A Hierarchy of Apocalypses” has been published in Phano, making it my first-ever non-fiction sale. (I’m not including my Kindle e-books.) Also, the pixel art the editor had picked to go with my essay is a thing of beauty.

“If Time Travel Were Possible…” (a short story set in my OTTO-verse) has been published in Black Cat Weekly, which also resulted in my first-ever fan mail!

“Murder of the Orient Express” (of, not on!) has been published in Pulp Asylum. The title is a bit of a funny story: a couple of podcast hosts had a blooper moment when they mispronounced the title of that classic novel, and they laughed it off. But that got me thinking… Who would want to kill an actual train itself? Why? And how? And thus this story was born!

…and I have a few more waiting in the wings.

It’s a bit funny: in the short-story biz, an “emerging writer” is defined as someone who has three or fewer publishing credits. I guess that makes me an emerged writer, eh?

One particular cool piece of news is that my short film, “Please Don’t Send Help,” got accepted by the first-ever Worldcon Film Festival! Worldcon is the biggest annual sci-fi convention in the world, and this will be their first addition of a film festival alongside all the author-related events. This year, it’s held in Seattle, in mid-August. I’ll get to attend it for free for one day when my film screens, and it’ll be a fun experience, being there as a sci-fi creator, but not (or at least not yet) a published novelist. Just like with my one-day visit to the New York Comic Con last October, I’ll have to make the most of it!

And speaking of film festivals… I’ve got at least two dozen major film fests I’ve applied for. (Why yes, I do have a problem.) All of them are famous for their hospitality, hard to get into, and/or will get me sponsored by Quebec if I get picked. That’s mostly for the European festivals, but I really like my odds with the Finnish Tampere fest! We’ll see.

If even a few of those festivals accept me (and I submitted four films to each one, to boost my odds), that’ll result in more partying within a single year than in my entire life up to this point. All those submission fees have cost me a pretty penny (even with the carefully timed early-bird discounts), but a) parties! and b) unforgettable experiences and c) possibly new grand adventures stemming from those new connections?, and d) once you get accepted, you usually get a lifelong alumni discount, meaning no more fees ever again.

And so, while my dream of becoming an elite professional thru-hiker has gone bust, the upside is that I’d be able to attend my film’s screening at my dream sci-fi convention (that would’ve been impossible if I kept hiking), and I’ve used all this free time (and utter lack of distractions) to double-down on my artsy endeavours. Let’s see how this plays out, eh?

…there’s a distinct possibility that a year from today, I’ll be completely frazzled, drained of energy, filled with way too many conflicting and overlapping memories of far too many events (what folks in the biz call “the festival brain”), but that kind of fatigue will be a good problem to have – or, as I call these things, #GrigoryProblems

I hope all y’all are about to have a fun summer too!

I am very very well aware that I’m just straight-up procrastinating now, but come on, this is marginally useful!

I have just under eight weeks left till I fly out to New Mexico, so, obviously (obviously!) I spent today researching all the interesting film festivals (in North America and beyond) that have either no submission fee at all, or just $5 or less.

Once you filter out all the blatant scams, possible scams, the locals-only festivals, and the youth-only festivals (ye gods, that made me feel old), what you’re left with is a rather eclectic mix. I ended up sending off 13 free submissions and 20 dirt-cheap submissions, which cost me $93.36 USD. That’s an excellent deal, considering the really big film festivals I plan to apply for in April will charge $40 a pop. (I’m setting aside a special budget to deal with the one-time expense of applying to high-level festivals. Afterwards, the alumni waivers should take care of the costs in future years.)

The film festivals I’ve ended up submitting to are wild and fun and diverse. There’s one that’s just a county fair in California, presumably with a side room where they’ll project the films for the 120,000 or so attendees. There’s an adorable community-based festival in rural Japan. There are several brand new festivals that are doing this for the first time. There was a rather exciting call for sci-fi short films from this year’s Worldcon. (You know, the biggest annual sci-fi convention?) Looks like they wanted to add some pizzazz to their programming (which is mostly about books), which is why they’re soliciting any and all sci-fi short films for the low, low entry fee of $6. There won’t be any prizes, but maybe, just maaaaybe, if my film gets accepted, and screened, and noticed by someone in the industry… Considering I’d gotten into this hobby as a side-quest while waiting to hear back from literary agents (still waiting!), if this actually gets their attention, then that’ll be the single most roundabout way of doing this.

(I won’t be able to attend in any case, since I’ll be hiking somewhere in Wyoming when the Worldcon takes place in Seattle. Ho hum.)

One of the brand new $5 festivals actually included an automated message saying they’ll gladly provide free lodging at a volunteer’s home if the selected filmmakers choose to attend. That’s just over-the-top wholesomeness, and also makes me feel a little bit like a villain, since my very carefully curated schedule of big-name festivals will have something during that exact three-day slot. Sorry, guys.

This is all a giant fun side quest – a lot of these little festivals will take place during my CDT thru-hike, and I probably won’t be able to attend any of them, even if I do get picked, which is never a guarantee. Still, that’s 33 new mini-adventures that I’ve just set in motion. Who knows, maybe my quaint little sci-fi film will find true fans at one of those friendly and enthusiastic festivals. Maybe new friendships will be forged. Maybe one of the foreign festivals (there’s a really fun one in Germany!) will get intrigued enough to fly me out for a future event. I know, I’m getting way too carried away here, but there’s no harm in dreaming, eh?

If nothing else, my life is gonna get a lot more fun and random: in addition to the notifications from 10 or so big film festivals I’ll focus on, I’ll keep getting random notifications from the 33 festivals I’ve just joined. There’s pretty much no way to keep track of something like that, so every single week will be an exercise in randomness, with unexpected “thumbs up / thumbs down” messages dropping into ye olde inbox.

And hey, maybe my film will actually win an award of some sort! It’s an honour just to have it screened in front of live audience (twice so far), but if I do actually win something, somewhere… I have many many plans for that sort of eventuality.

What a weird little hobby.