Tag Archive: short films


That very specific and unusual sensation when you’re traveling for more than 48 hours in a row (Ridgway, Denver, Quito, Manta) and you’re almost constantly in motion, across state lines and countries and continents and hemispheres. Untraceable and everywhere and nowhere…

Colorado was as fun as it was beauitful. Denver reminded me of Portland, only higher. I didn’t get to spend a lot of time there, but the parts I saw were creative and memorable. I had two days between film festivals, so I stepped wayyy outside my comfort zone, joined the Couch Surfing site (I didn’t even know couches could swim!), and got a free night stay in Denver. Major kudos to Tony, a cool Vietnamese-American guy who let me crash in his comfy attic. Going up and down on a metal ladder made the experience that much more surreal and entertaining.

If you ever travel across Colorado, I very highly recommend the Bustang bus: they accept cash, the buses run on time, and – unlike Greyhound – there’s zero smell.

My Couch Surfing request in Grand Junction didn’t work out, so I got an AirBnB room at the edge of town. The following morning, trying to be a good tourist and sidestepping the road construction, I fell into a ditch and got covered in mud. After a quick detour to the construction site’s portapotty and a very slow-motion clothes change (just like that Deadpool trailer with the phone booth), I emerged in my spare pants. (Later on, a washing machine reatored my jeans and sweatshirt to their original condition.)

That did leave a lot of mud on my boots, though… For the rest of that morning, until my 1:30pm bus to Ridgway, the locals kept giving me the stink eye. Haters.

My phone, which is almost but not quite waterproof, got quite a bit of mud into every single port. It was a bit touch-and-go there, but the phone camera came back to life fast, and the phone’s speaker and microphone went on strike before resuming their duties. One helluva mud ditch, eh.

On the upside, I met my first-ever supervillain-coded person! The locals know her as The Crusher: she collects all their unwanted electronics and gadgets (mostly printers) and then disassembles them. The valuable bits go to industrial recyclers, while the rest goes to the plain old recycling. That’s something I’ve always been curious about (see my 2020 lockdown posts), and it’s beyond exciting to learn someone out there has actually made a business out of it. May your salvage be ever fruitful, Crusher.

I noticed something odd while wandering around the downtown Grand Junction, muddy boots and all. That town of 71,000 people didn’t have a single diner that served an old-fashioned slice of pie. When I asked the locals, they got the “Mandela effect” look on their faces before saying that no, there aren’t any slice-o-pie places anywhere in town. How bizarre. Feels like that’s linked to the disappearance of third space, a la “Bowling alone.”

I settled for a giant chocolate chip cookie at some hippie-themed coffeeshop. It wasn’t bad. The barista was fun and flirtatious.

And then, at last, a bus to Ridgway – a dark-sky town of 1,000 people. They arranged a free hotel for visiting filmmakers, which is almost unheard of in our community. Fun little town. Lots of public art. (But no sliced pie. The mystery deepens!) Great mountain views. A truly dark sky. A stargazing party on a Saturday night: the brightest Milky Way I’d ever seen, and lots of locals with their telescopes, letting the rest of us look at the distant nebulas and planets. (Here’s looking at you, Jupiter.)

The festival itself was… It wasn’t perfect. It had many glitches during the film screenings. Its director was sick and unavailable for the duration, so maybe that was why. The award ceremony randomly got rescheduled and held 30 minutes earlier than scheduled. I hadn’t expected to win, and I didn’t, but it would’ve been fun to cheer for my new filmmaker friendos… As it was, we all sat through a full hour of local improv (they were enthusiastic, but that’s a lot of improv, y’all), after which everyone just got up and silently walked away. That, in and of itself, felt like some postmodern art performance. When some of my new buds explained the actual award ceremony had happened 90 minutes ago, I called them liars until finally conceding that yes, the facts did seem to fit their quaint narrative. Ah well.

But that was on sunday. On Saturday night, my short film’s screening had gone fairly well, and since I was the only filmmaker in attendance for that block, the Q&A section was entirely mine. That’s pretty rare, eh. I took the opportunity to edumacate the small but lively audience about all the cool public domain videos they could use for their own filmmaking experiments. The anxiety of small glitches had gotten to me, so I was in my “talking fast and gesticulating and grinning” mode rather than the “cool and suave foreign filmmaker” persona. For what it’s worth, the audience seemed to understand and appreciate my words. With any luck, I’ll get a do-over next year. Live and learn and improve.

After the non-award award ceremony, I used my political science skillz to corral all the remaining filmmakers into an afterparty at the hotel’s bar. (Great loaded fries!) That experience, with just the six of us sitting and sipping beer and talking about filmmaking, was the single best part of the festival for me. (Though, once again, the locals’ hospitality was wonderful.) We all headed back to bed once the bar closed for the night at 9pm. (Small town, eh.) Much fun was had.

And so my first-ever Feral Artist Nomad odyssey ends. Three back-to-back film festivals, two weeks, many new friends, an offer to crash at a new buddy’s place if I get into the Durango film festival. (I submitted my comedy sci-fi film just ahead of the final deadline. Toes and fingers crossed!)

…sometimes, I go two whole days in a row without thinking about her…

Typing this up on the bus headed to Denver – a long ride, but cheap, and with beautiful views. From there, a red-eye flight to Ecuador by way of Atlanta, and a night at a motel right across Quito’s bus station, and a looong ride to a beach town where my Workaway volunteer hosts await – because to hell with Canadian winters.

But that’s a whole different adventure.

Onward.

Such a small world.

The bus that took me from New York to West Reading, PA had two other filmmakers: Vanessa and Kathleen, the co-creators of the wonderful “Five Flights.” We chatted a bit before boarding the bus and then shared an Uber to Marriott’s. (Reading Film Festival provided two free nights to every filmmaker, woot!)

Our names were on the VIP guest list, so the check-in took literally seconds. The organizers gave me a bag of festival swag, two filmmaker badges (alas, I had no companion… but that meant double the drink tickets!), and an XXL-sized T-shirt due to the L-size mix-up. If I ever get a gf who likes wearing oversized shirts as pajamas, this will work great, eh.

After stashing my loot in my posh suite, I joined the first of the three separate filmmaker happy hours that night. In between, there was a 2-hour film block, but I can’t recall what was in it for the life of me.

And so it went the entire weekend: fun films all day long, all the beer and wine we could possibly ask for, and delicious food. By my guesstimate, there were about 40 visiting filmmakers (the local ones didn’t get the free hotel suites), and many new friendships were forged.

I showed off my very first film, “Please Don’t Send Help,” to quite a lot of applause and a fun Q&A with the audience and the event’s host. Along the way, I talked about my technique (making films solely with public domain footage) and trash-talked AI (which was really too easy).

The film block just before mine was “Animation and AI.” Three real animated films, three that were AI garbage. The sole filmmaker from that block who attended the event gave a brave, passionate speech: he’d spent months of his life creating and perfecting his short film, and it was slotted with that slop… The audience gave him one helluva ovation. One audience member actually asked the host to clarify which of the six films were AI slop.

That was a recurring theme throughout the weekend. Lately, AI cultists have been either bribing film festivals to accept their slop or downright spamming their submissions with infinite pieces of AI-generated videos. Each film festival that surrenders and accepts AI adds a bit more legitimacy to those dishonourable thieves. We’ve recently lost Telluride…

As far as I can tell, the Reading fest has added that section for the very first time. (This was their 11th annual festival.) I don’t think they’d anticipated the amount of backlash and anti-AI sentiment they would get. I told the festival’s runner that it would’ve been great if all AI-made (or AI-assisted) films had had a little mark next to them in the program. (It doesn’t have to be a scarlet letter, but that’d be nice.) I’m curious to see if that will happen…

Along the way, during my 55-hour stay in that town, I took very quick trips to see an old firewatch tower, the pagoda built by an eccentric German, and a small but sturdy castle where we had our very last (and small) afterparty on Sunday.

I also took an early-morning walk through downtown: they have so many beautiful murals, so much random street art… There must be something in the water!

I didn’t win any awards (and honestly, wasn’t even expecting to), but on that Sunday morning, I found out that I won the second place in the “Best Comedy SciFi Short Film” category at Brooklyn SciFi Film Festival. My first-ever film festival win – I’m honoured beyond words, and will ride that high for a very long time. (Also, now I get to add “award-winning” to my artist bio – huzzah!)

That Sunday night, after all the goodbyes, and promises to visit one another, and cake, and beer, I stood at the same bus station I’d arrived at, awaiting the bus to Philadelphia for my red-eye flight to Colorado. While waiting there, I realized two things: the “made in Reading” part of the festival was rather enticing, and the area right around the dark bus stop was quite picturesque… That resulted in me jogging around the block (backpacks and all) and filming just about everything on my Android phone. Got about 3-4 minutes of footage out of it: I’ll see if I can transform that into a short urban fantasy film. (For added difficulty, it’d have to be edited entirely on my phone: my computers are in storage in Quebec.)

The bus ride to Philly went well, but I can’t say the same about my bizarre experience with the city’s transit system at 11pm… After the second train suffered an identity crisis mid-ride and dropped me off in a weird-looking neighbourhood, I finally called a taxi. The driver was over-the-top apologetic for the way his city welcomed me. Good guy. Tipped him well.

And then… A night – and not even that – spent at the airport. People – and I use the term loosely – who thought it was fine to play loud videos on their phones at 1:20am as we all waited for the ticket counters to open. A 5am Frontier flight to Denver by way of Orlando, as well as a reminder why I rarely fly Frontier. My backpack cost me $70 since it was a carry-on item. The woman next to me in line was moving, so she had five gigantic (and bright-pink) pieces of luggage. They charged her $900 to check all of that in. She almost started crying… But ultimately accepted their terms.

Such a strange little world.

And meanwhile, a plane was waiting to fly me far away, to the Colorado mountains…

Onward to Worldcon

Typing this up at 1:40am before catching some Zzz’s, a bit of packing, more than a bit of Tim Hortons, and a bus to the first of the two flights to Seattle, to the 2025 Worldcon.

This will be my first Worldcon and almost certainly not the last. I got here in such a roundabout way, too… Months ago, I was dying of boredom (a bit of a recurring theme, that) and, after playing with filters on FilmFreeway, I stumbled on Worldcon’s first-ever film festival. It hadn’t been advertised, and so it was just pure chance that I found it at all. Submitted my short film. Got accepted. Started thinking that if I’m going to attend in person, I might as well get the full week-long membership, not just the complimentary one-day ticket… And that’s how it came to be, eh. Life is a yarn ball of coincidences.

I’ll be in Seattle for six full days, at least four of which will feature post-Worldcon parties, and the sixth will have a barbecue right after a hike up one of the local mountains. (With a handful of other Worldcon attendees.) That should be fun… For extra fun, I’ll try to get up at 6am in order to be at a coffeeshop meet-ups (and one SFWA breakfast!) at 7-ish in the morning, for a chance to geek out with fellow SFF fans before the hustle and bustle of the convention.

On the off chance you’re reading this and have not yet finalized your Worldcon program – hey, come check out my film! Thursday, noon, room 331. It’ll be my third real-life screening, and it’ll be every bit as terrifying and exciting as the first two, I’m sure.

My sole regret is that I won’t be able to attend every single Worldcon panel – there are so many of them, and some of the really amazing-sounding ones overlap. Where’s a time-turner when you need one, eh?

This will be, without a doubt, the geekiest week of my life. Exactly 168 hours from now, I’ll be napping in Chicago’s O’Hare International Airport before my morning flight back to Quebec City: the first of many attempts to pay off the sleep debt I’m going to accrue in the coming days.

Can’t wait, eh.

Well, using the non-traditional definition of “reel,” but still. I’ve spent the last couple of months building up my army of loyal followers (and book enthusiasts!) over at Ye Olde Instagram. It’s been a quaint little quest, going from roughly 200 followers (lazily assembled over many many years, mostly by accident), to just over 1,500 and counting. That’s not nearly as high as some of the behemoth influencer accounts, but should be high enough to – at the very least – show that I’m serious about book promotion.

Aside from the many handcrafted memes on writing I’ve shared with my new friends, I’ve also been making reels, aka very short videos. For the most part, they’ve been my reviews of different books on writing. (There are so very, very many of them out there!) Yesterday, feeling particularly high on life, I spent altogether too much time to craft this little reel that makes fun of popular book genres. That was the closest I’ve come to making a short film in about four months, and was a ton of fun to make. (And all the little “likes” keep rolling in!)

I already had all the props on account of having accidentally developed a hat collection over the years, across my many travels. (Don’t ask about the lab coat. Long story.) In retrospect, I’m surprised by the five genres I picked – because between them, they fairly accurately represent the five humours of my personality. (There ain’t a lot of Romance in this life, but I’ve still got 35 good years ahead of me.) Incidentally, the “Slipstream” bit is more or less my default mode these days, though my walk through the sunny streets of Quebec City is a bit less over-the-top exuberant than that. (But only a bit.)

It’s an odd art form, these reels. Ditto for the short videos on Facebook an especially TikTok. (I speak not of Pinterest, for that’s a dark, forbidden land beyond my socioeconomic status.) I truly and sincerely hope somebody out there is archiving all those little videos for the future. Some of them are creative masterpieces shot on essentially zero budget, such as this little reel right here. (That was some Rashomon-level retelling, eh?) But then again, I have this intuition that the digital decay will come for them all, that almost all of them will disappear within 10 years. Definitely within 25. Shame.

In any case, here are some reels I’ve made, in case you wanted to see what all I do to build a loyal geeky following. In chronological older, starting with the oldest:

How to tell when your money tree is happy

My index card system for short story markets

When a character has too much plot armor

My review of “On Writing” by Stephen King

A plucky little weed growing in the middle of the road, surrounded by rain

My review of “Writing Tools” by Roy Peter Clark

When Europeans try to write hardboiled noir…

Different literature genres

Huh. More reels than I would’ve thought. They sneak up on you!

And with that, it’s time to head back to doing absolutely nothing while, in the background, nurturing my imagination to see what else it comes up with.

Do all y’all have an all-time-favourite reel or short video to share? If so, drop the link in the comments!

I love it when a bunch of things I’m juggling pay off all at once. To outsiders, that looks like magic. To me, that’s the result of a lot of work.

I’ve heard back from a few film festivals, and they want me in! There are a couple I’m not yet allowed to announce (because they give the filmmakers the good news before posting the results online), but the one I can absolutely mention here and now is the 11th annual Ridgway Independent Film Festival (RIFF), held in the beautiful Ridgway, Colorado. Never really been to Colorado (in some alternate universe, I’d be hiking through it right around now…), but I look forward to visiting it! The festival will be in mid-October. If any of you are around those parts, drop me a line – let’s hang out, eh.

Yesterday, I signed the contract for my sixth short story publication, huzzah! The story is “Hard as a Mirror of Cast Bronze” and it’ll run in Bullet Points magazine this October. The title comes from a Biblical allegory that tried to convey how futile it would be for a mortal to comprehend God-level plans. The premise of my story is somewhat similar: what if there was someone so brilliant, so off-the-charts great at integrating and weaponizing different fields of science, that she’d be destined to take over the world? Not only here, but in every single dimension. And what if an assassin sent to kill her found not yet another version of a megalomaniacal tyrant, but… someone entirely different? Wait till October to learn more!

After I signed that contract, that set off the final stage of my internal Rube Goldberg machine, because at that exact moment, I became eligible to join SFWA! (SFWA stands for Science Fiction and Fantasy Writers Association, aka the worldwide guild.) To join as an associate-level member, you need to prove you’ve earned at least $100 as a genre writer over the course of your life. Reader, I am very very proud to share that with this new story sale, my lifetime earnings equal exactly $100.78. Right past the finish line, woot! (It would’ve been funnier to land at $100.01, but I’ll take $100.78!)

And so… I filled out the long and detailed SFWA associate application yesterday, at long, long last, after many years of dreaming and planning and writing. It was a bit funny to encounter the “I am not a robot” checkbox during the application process. A very dry sort of pun, considering.

The form requested proof of earnings, of course. My sincerest apologies to the SFWA staffer tasked with reviewing and summing up all six contracts I uploaded. If you’re reading this, my SFWA friend, and if we ever meet, I’ll buy you a glass of water. (The annual membership fee is $100, leaving me exactly 78 cents. Heh. Good investment, though.)

Joining the SFWA will grant me access to what might be the most exclusive message board in the world, with decades-old archives of SFF writers talking about life, writing, and everything else. Also, access to SFWA convention suites. Also also, the ability to nominate (and vote) for the annual Nebula award. Also also also, a not-insignificant level of protection in the event something goes haywire with a writing contract. And much, much more… I hope my application goes through before this year’s Worldcon, which will kick off in just three weeks. As a filmmaker with a short film and a live screening, and as the (hopefully) newest SFWA member, that’ll be one helluva week!

And, to wrap this up with even more good news – I started writing my third sci-fi novel! (This one, in a surprising twist, will feature zero time travel. I know, I know.) I’ll keep the title secret for now, but the working title is… let’s call it “Inhuman Insurance Inception.” That more or less sums it up. It’ll be a multi-POV tale of the ethics of assimilation in general and first contact in particular. Aliens and humans. Hackers and webcams. The so-called civilized humans and the isolated tribes. And more…

So far, I’m 4,000 words in, with an outline and a lot of juicy quotable tidbits already prepared, and I’m going to shoot for 2,000 or so words per day. It’ll be easy, considering the plot has been boiling inside my brain for many many months. Should be fun, eh.

And with that… Gonna sign off, watch some surprisingly poignant reality TV (I know, I know…), and get ready for another day of writing.

Hope y’all are having a wonderful weekend.

Ever since my early retirement four years ago, I’ve been trying to have one big theme, one grand adventure per year. Last year, it was my quest for a literary agent: that one took a while, and required writing a whole new novel on top of the existing one, but it finally worked. (I’m very very happy to be represented by Brandy Vallance of the Barbara Bova Literary Agency.)

This year… Well, this year is going to be even more ambitious. About a year ago, I made my first-ever short film, Please Don’t Send Help. I created it using NASA’s archival footage, a $15 budget, and a whole lot of editing, which I learned on the fly. (Pro tip: DaVinci Resolve is amazing free software!) That got me into the Brookly SciFi Film Festival in, well, Brooklyn in October 2024, and then a much bigger festival, Dam Short Film Festival in Nevada just a few months ago. And now I’m hooked, eh.

The theme for this coming year will be “never-ending film fest party.” I’ve made a few more short films since my first one: How to Prepare for Time Travelers in the Workplace, So Long and Thanks for All the Bandwidth, Species Spotlight: Humans, and Drive Me to the Moon. (Good titles are very important!) The last one is my secret weapon, which I’ll try to send out to the biggest festivals of them all. I used the other three, along with Please Don’t Send Help, as part of my shotgun approach to film festival applications: I submitted those four at the same time in hopes that at least one of them will get their sci-fi curator’s attention. And if they don’t – well, life goes on.

Below is the full list of festivals I’ve submitted my films to thus far. My main criteria were reputation, vibes, and hospitality. (There are some small-ish fests on this list that nonetheless have a stellar reputation.) I’ll revisit this post in about a year, once everything is done. I’m sharing my list in the interest of full disclosure: if any other newbie filmmaker is reading this, I hope they’ll find my strategy helpful!

These film submissions ranged in price from free to $50 per film, and I’m not gonna lie – this cost me a pretty penny. However, a) if this works as planned, then I’ll spend the entirety of October and March bouncing from one amazing party to another, and b) if I get in, there’s usually an alumni discount (i.e., no need to pay the submission fee again in the future), and c) this is an adventure, eh!

I don’t expect to get into all 100% of those (though it’d be neat to get into the one in Finland: Quebec sponsors their filmmakers’ flight to that one!), but I think I have a fair chance with quite a few of them. Time will show how this grand project will play out: hubris, glory, a bit of both? We’ll see.

And so:

FestivalLocationDate
Festival de Cinema de la Ville de QuebecQCSept 10-14 2025
Cindependent Film FestivalCincinnattiSept 18-20
Healdsburg International Short Film FestivalHealdsburg, CASeptember 26-28
Cordillera International Film FestivalRenoSeptember 25 – 29, 2025
Portland Film FestivalPortlandOctober 1-5
ReadingFilmFESTPAOctober 9-12
Tallgrass Film FestivalWichita, KansasOctober 16-19
Hamilton Film FestivalOntarioOctober 17 – 26
SPASMMontrealOctober 22 – November 1, 2025
Coast Film & Music FestivalLaguna Beach, CANovember 1-9
Yucca Valley Film FestivalYucca Valley, CANovember 7-9
Centre Film FestivalPANovember 10-16
Cucalorus Film FestivalNCNovember 19-23
Utah Film FestivalUTJanuary 1-5 hahaha
Lookout Wild Film FestivalChattanooga, TNJanuary 10-18
Dam Short Film FestivalNevadaFeb 11-16
Beaufort International Film FestivalSCFeb 17-22
Sedona International Film FestivalAZFeb 22-Mar 2
Tampere Film FestivalFinland!Mar 4-8
Sonoma International Film FestivalCAMarch 25-29
Fargo Film FestivalNDMarch 17-21
Cleveland International Film FestivalOHApr 9-18
Julien Dubuque International Film FestivalIowaApr 18-25
Atlanta Film FestivalAtlantaApr 23-May 3
Stony Brook Film FestivalNYJuly 17-26
The Norwegian Short Film FestivalNorwayJune 11-15-ish
Nevada City Film FestivalCA (the “Nevada” part is a red herring)June 19-22-ish

And now I wait… Yesterday, the first of these festivals got back to me: ReadingFilmFest has accepted Please Don’t Send Help, so I know where I’ll be around October 10th! One down, 26 to go, woooo!

Losses and wins

My desert adventure ended early. I wrote about it in depth on my trail journal. Short version: my legs got several injuries, the trail was a lot less developed than advertised (at least 10% included walking on the side of a highway…), and it was soul-crushingly lonely. It was considered normal to walk 3-4 days without seeing another human being. This year, in particular, there was a shortage of hikers, especially from other countries. (Probably due to the politics and the ongoing harassment of foreign tourists.)

The loneliness bit may have been partly due to bad luck. There was one experienced hiker (she’d done the Triple Crown (hiking all three major trails) twice) who managed to form a trail family of eight people around her by the time she reached the first town, 83 miles from the border. Impressive, that. Others ended up walking outside such bubbles.

The desert was beautiful, though… I’d never seen the Milky Way so bright, not even in the Sierra-Nevada mountains during my PCT thru-hike in 2022. Along the way, I explored the ghost town of Old Hachita – or what’s left of it. Those ruins were some grade-A Wild West Americana.

In the end, I made it 155 miles before calling it quits in Silver City, NM. The downtown Palace Hotel was incredibly hiker-friendly, and there were quite a few of us there. Many were recovering from their own injuries, most of them less serious than my own. It was a bit like a hiker-trash field hospital in that respect. My initial (and very very ambitious) plan had been to do the entire Triple Crown by completing the Continental Divide Trail this year, followed by the Appalachian Trail in 2026. But over at that hotel… Yeesh. Yeesh, I say. Multiple thruhikers (who had saved the CDT for last) I met would complain about how much they disliked the AT, and how they were forcing themselves to do the CDT.

I listened to their woeful laments, and nodded, and sympathized – and also asked myself, “Self, is that what I sound like?”

There comes a point when pursuing an overly ambitious quest becomes not merely eccentric or quixotic, but self-destructive, with not much fun along the way. A lot of that desert section was beautiful, and I met some unique and interesting people, but hiking on the side of the highway, alone, with coal-rolling trucks spewing exhaust in my face… That doesn’t count as a “National Scenic Trail” in my book.

…though to be fair, if my legs hadn’t decided to fall apart (should I have done more ThighMaster exercises beforehand?..), and if it had been just a bit less lonely, I might have carried on, if only out of sheer stubbornness.

Ah well.

The unplanned return back to Quebec was pricey: a flight from Silver City to Albuquerque (a very cheap, very tiny propeller plane; great experience!), from there to New York, and from there, an all-night bus back home. My apartment lease was still good until June 30th, so that’s where I’ve been for the past two weeks. No furniture (still in storage), only my sleeping bag, the contents of my hiking backpack, and a big bag of “welcome home” stuff I’d packed away for easy access. (The initial plan had been to finish the hike, get an AirBnB, and hunt for apartments.)

It makes no sense to hire a moving truck, move my stuff back here, and then move it back to my new apartment (just found one) on July 1, soooo here I am, trapped in the midst of strange logistics. Just an empty studio, a sleeping bag, a few books, my phone, and my laptop. (I use the phone as a hotspot when I need to do laptop-specific things.)

It’s a hilarious parody of a bachelor’s life (though fortunately, my girlfriend was glad to see me back early!), but on the upside, I’ve gotten quite a lot done. I’ve already finished a couple of new short stories, caught up on a lot of reading, and done some other productive stuff. If I’d returned to my TV, gaming computer, and unlimited internet, my productivity would’ve been a whole lot lower, eh.

I’ve got some good news, too. I always juggle a lot of different projects, and a few of them paid off:

My essay “A Hierarchy of Apocalypses” has been published in Phano, making it my first-ever non-fiction sale. (I’m not including my Kindle e-books.) Also, the pixel art the editor had picked to go with my essay is a thing of beauty.

“If Time Travel Were Possible…” (a short story set in my OTTO-verse) has been published in Black Cat Weekly, which also resulted in my first-ever fan mail!

“Murder of the Orient Express” (of, not on!) has been published in Pulp Asylum. The title is a bit of a funny story: a couple of podcast hosts had a blooper moment when they mispronounced the title of that classic novel, and they laughed it off. But that got me thinking… Who would want to kill an actual train itself? Why? And how? And thus this story was born!

…and I have a few more waiting in the wings.

It’s a bit funny: in the short-story biz, an “emerging writer” is defined as someone who has three or fewer publishing credits. I guess that makes me an emerged writer, eh?

One particular cool piece of news is that my short film, “Please Don’t Send Help,” got accepted by the first-ever Worldcon Film Festival! Worldcon is the biggest annual sci-fi convention in the world, and this will be their first addition of a film festival alongside all the author-related events. This year, it’s held in Seattle, in mid-August. I’ll get to attend it for free for one day when my film screens, and it’ll be a fun experience, being there as a sci-fi creator, but not (or at least not yet) a published novelist. Just like with my one-day visit to the New York Comic Con last October, I’ll have to make the most of it!

And speaking of film festivals… I’ve got at least two dozen major film fests I’ve applied for. (Why yes, I do have a problem.) All of them are famous for their hospitality, hard to get into, and/or will get me sponsored by Quebec if I get picked. That’s mostly for the European festivals, but I really like my odds with the Finnish Tampere fest! We’ll see.

If even a few of those festivals accept me (and I submitted four films to each one, to boost my odds), that’ll result in more partying within a single year than in my entire life up to this point. All those submission fees have cost me a pretty penny (even with the carefully timed early-bird discounts), but a) parties! and b) unforgettable experiences and c) possibly new grand adventures stemming from those new connections?, and d) once you get accepted, you usually get a lifelong alumni discount, meaning no more fees ever again.

And so, while my dream of becoming an elite professional thru-hiker has gone bust, the upside is that I’d be able to attend my film’s screening at my dream sci-fi convention (that would’ve been impossible if I kept hiking), and I’ve used all this free time (and utter lack of distractions) to double-down on my artsy endeavours. Let’s see how this plays out, eh?

…there’s a distinct possibility that a year from today, I’ll be completely frazzled, drained of energy, filled with way too many conflicting and overlapping memories of far too many events (what folks in the biz call “the festival brain”), but that kind of fatigue will be a good problem to have – or, as I call these things, #GrigoryProblems

I hope all y’all are about to have a fun summer too!

New short film! And more

The best way to get absolutely fucked-up for less than $5 is by drinking a can of NOS. Twenty or so years ago, it was the most powerful energy drink on the market. It’s been surpassed since then, but it still has one helluva kick, with 175mg of caffeine and more than 1,000% of your daily dose of B12 and a few other things.

I’ve only ever tried NOS three times in my entire life.

The first time was in college: I spent the next 36 hours walking around campus, pointing at things, and giggling.

The second time was after college: I pulled an all-nighter and wrote a best-selling e-book on Taoism.

The third time… The third time was last week. I hadn’t touched the stuff in over a decade and wasn’t sure if it’d have an effect on me, but yup, it sure did. I stayed up most of the night, added the much-needed final touches to two short films, and created another, brand new short film from the components I’d assembled. (Public domain video clips, my amazing voice actress’s recording, public domain music, etc…)

And as a result, I’m very very proud to present my newest – and most ambitious! – short film: “So Long, and Thanks for All the Bandwidth.” When a routine experiment on a space station goes terribly wrong, the lone astronaut is faced with an amoral AI hellbent on uploading itself to Earth. With the fate of humanity on the line, the astronaut must destroy the AI – or suffocate trying.

And here’s the extra-fancy poster I’ve made for my film. (Thanks for the neon font, Canva!)

The best part? My budget was $24 USD – all of which went to my amazing voice actress. (You rock, Sarah!!)

Writing this script wasn’t easy for me, because I personally think the traditional three-act story structure is too restricting and too predictable. But nonetheless, that was an interesting opportunity to get out of my comfort zone. My beta viewers sure seemed to like it, and it deals with some of the biggest contemporary fears: untested technology, evil artificial intelligence, and personal autonomy… In the film, both the astronaut and the AI are women, which I think adds another, interesting dimension to the power struggle.

The entire film is seven minutes long, which is about three times as long as my debut attempt, “Please Don’t Send Help.” Heh. Together with my other two new films (“Species Spotlight: Humans” and “How to Prepare for Time Travelers in the Workplace”), this makes four films total, or almost 30 minutes of sci-fi goodness.

If you had told me this just a year ago, I wouldn’t have believed you. I didn’t even start tinkering with video editing until May 2024. Incidentally, major kudos to my filmmaker friend from Dam Short Film Festival who recommended using the free version of DaVinci Resolve (the paid version is $400; the free version still has many neat features) – it has been an absolute game-changer for me. So, soooo much easier and more user-friendly, eh.

I really ought to be making the final edits on my second novel… But deep-diving into the r/Filmmakers and r/FilmFestivals subreddits is such a fine and fun distraction, eh. The movie industry isn’t a meritocracy by any measure: we’ve all heard about the nepo babies, or about key decisions being made based solely on friendship or sexual favours… But the parts that remain after you filter out all that stuff? Those parts are pretty damn meritocratic. As with any hobby, the more you learn, the more rewarding your experience will be – and I’ve been learning a lot…

Two things I aim to explore after I return from my gigantic CDT thru-hike (which is just six weeks away now!): how to apply for artist grants on provincial and federal level (because as a filmmaker attending festivals in the US, I represent Canada’s and Quebec’s art scene), and how film distributor companies work. Not the ones that charge you several grand to submit your film across all the festivals in the world, but the ones that will sign a contract, submit your film on your behalf (using their own existing partnership) for free, and will give you 70% of the net profit from screening fees, art exhibitions, etc, etc. This might be nothing. This might be everything.

I’ve been experimenting with FilmFreeway’s $10 promotions: you give them the moneys (it’s $20 if you don’t have their monthly $15 membership) and they include your film’s thumbnail image and synopsis in their daily festival briefing. Ideally, that means a really cool festival would learn about your film and offer you a full waiver: a 100% discount to submit your creation to their festival. (Though acceptance is not guaranteed.) In reality… Well, in reality you get roughly 200 offers ranging from 10% off to 90% off (usually around 50%) from festivals that aren’t on your wishlist, as well as a handful of full waivers from festivals that may or may not be scams.

Unfortunately, many festivals that send you partial/full waivers are scammy, or at the very least sketchy. They might not have any images in their gallery. Or they might be an online-only festival. Or their rules would contain creepy language implying they’ll show your film whenever and wherever they feel like it, “for commercial and promotional purposes.” (To clarify: the festivals that promise to use just a few seconds of footage are fine.) There are festivals that have 50+ award categories, and that are so impatient to scam you that they’ll straight-up say that a) you’ll get accepted and win by default, and b) you’ll have to pay $179 USD to ship a plastic award thingy all the way from wherever the hell they are to your home address. Hard pass, amigos. Hard pass.

So… Yeah. It’s pretty much Wild West out there. As of this writing, FilmFreeway has 14,568 film festivals. I wonder how many of them are scams (or sketchy) as opposed to genuine.

That said, I did find a few gems among the hundreds of kinda-sorta-not-really waiver notifications. A few small festivals (carefully vetted) offered full waivers. A few others offered waivers high enough (and with their fees low enough) that the grand total came to $5 or less. There’s a top-100 film festival in Scotland that now has two of my films. A small and cozy festival in Iceland. I won’t be able to attend them, but I’m a strong believer in the power of coincidences: if my films screen somewhere, and if someone loves them and contacts me, that could be the beginning of a beautiful friendship, eh.

I’ve carefully made a list of 11 film festivals that I’ll send my short films to. All carefully researched, all with great reputations. They’ll be from late September through late March, aka in between my epic hikes. (When – not if – I complete the Continental Divide Trail – the next one will be the Appalachian Trail in 2026. Triple Crown, woooo!)

Two of the 11 festivals are in Canada: Hamilton and Montreal. Most of the 11 are quite big – either in the top-1% worldwide ranking, or close to it. I don’t expect to get accepted into all of them, but one can dream, right? I’m going to submit either all four of my films to each fest, or the three latest ones, without my debut “Please Don’t Send Help.” I love it, I really do, but it’s 2.5 minutes long, and I get the feeling that a lot of festivals wouldn’t even consider a film shorter than three minutes. (Though one of the festivals on my list (Fargo Film Festival) has a special category for 2-minute films: I made sure to squish my film to 1:59 just for them; let’s see what happens!)

The goal is to get in. Once I’m in, there would be – hopefully – alumni discounts for the following years. Combined with travel grants (toes and fingers crossed!), that would make the next festival circuit seasons a helluva lot more interesting. There’s a famous sci-fi film festival called FilmQuest in Provo, Utah, but it lasts 10 days, doesn’t help the filmmakers with any accommodations (some other festivals have fun little homestay programs), and actually charges filmmakers to attend the networking events, parties, etc. I’m sure there’s fun to be had there, but… after my first-ever experience (the festival which shall remain forever nameless) last October, I’m not willing to pay to attend events after I’ve already paid the high submission fee. So it goes.

I’ve made a spreadsheet (as I often do) to track all of my wishlist festivals, particularly their early-bird deadlines… I’ll send my films to them soon. Even with all my tricks, the submission fees alone will cost me roughly $1,000 USD. However: a) I’ve finally sold my goddamn condo, so I won’t have to worry about surprise special assessments ever again; and b) when I snapped and went on my “revenge vacation” in June-July 2021 (seven cities in 37 days, if memory serves), that had cost me roughly $10,000 (hey, you don’t get to judge me), so really, this is all quite relative, eh.

…ultimately, my big deep-dive into filmmaking – research and all – is an incredibly elaborate attempt to ignore the news. Sure seems like Trump and Putin are trying to monopolize access to the North Pole by annexing Canada and connecting the land masses. Trump’s flunkies keep spewing lies about the big bad fentanyl problem on the Canadian border (no such thing), and it sounds an awful lot like the PR campaign before the invasion of Iraq in 2003. (If afterlife exists, I hope Colin Powell got his due. He knew exactly what he was doing when he gave that presentation to the UN.) Hopefully, nothing will happen. But if it does… Goddamn it, I’m so tired of moving. Maybe my fourth country will grant me a measure of peace.

Aaaand now I’m just typing for the sake of typing, and to postpone the inevitable return to the novel-editing process. Heh. I’ve already run out of all the possible distractions – I’ve even gone so far as to make posters, closed captions, and 30-second trailers for all four of my films. Bah, humbug. Back to the wordsmithing mines.

(If you’re reading this in the future, having googled certain film-related terms, I hope this was useful to you, friend.)

I am very very well aware that I’m just straight-up procrastinating now, but come on, this is marginally useful!

I have just under eight weeks left till I fly out to New Mexico, so, obviously (obviously!) I spent today researching all the interesting film festivals (in North America and beyond) that have either no submission fee at all, or just $5 or less.

Once you filter out all the blatant scams, possible scams, the locals-only festivals, and the youth-only festivals (ye gods, that made me feel old), what you’re left with is a rather eclectic mix. I ended up sending off 13 free submissions and 20 dirt-cheap submissions, which cost me $93.36 USD. That’s an excellent deal, considering the really big film festivals I plan to apply for in April will charge $40 a pop. (I’m setting aside a special budget to deal with the one-time expense of applying to high-level festivals. Afterwards, the alumni waivers should take care of the costs in future years.)

The film festivals I’ve ended up submitting to are wild and fun and diverse. There’s one that’s just a county fair in California, presumably with a side room where they’ll project the films for the 120,000 or so attendees. There’s an adorable community-based festival in rural Japan. There are several brand new festivals that are doing this for the first time. There was a rather exciting call for sci-fi short films from this year’s Worldcon. (You know, the biggest annual sci-fi convention?) Looks like they wanted to add some pizzazz to their programming (which is mostly about books), which is why they’re soliciting any and all sci-fi short films for the low, low entry fee of $6. There won’t be any prizes, but maybe, just maaaaybe, if my film gets accepted, and screened, and noticed by someone in the industry… Considering I’d gotten into this hobby as a side-quest while waiting to hear back from literary agents (still waiting!), if this actually gets their attention, then that’ll be the single most roundabout way of doing this.

(I won’t be able to attend in any case, since I’ll be hiking somewhere in Wyoming when the Worldcon takes place in Seattle. Ho hum.)

One of the brand new $5 festivals actually included an automated message saying they’ll gladly provide free lodging at a volunteer’s home if the selected filmmakers choose to attend. That’s just over-the-top wholesomeness, and also makes me feel a little bit like a villain, since my very carefully curated schedule of big-name festivals will have something during that exact three-day slot. Sorry, guys.

This is all a giant fun side quest – a lot of these little festivals will take place during my CDT thru-hike, and I probably won’t be able to attend any of them, even if I do get picked, which is never a guarantee. Still, that’s 33 new mini-adventures that I’ve just set in motion. Who knows, maybe my quaint little sci-fi film will find true fans at one of those friendly and enthusiastic festivals. Maybe new friendships will be forged. Maybe one of the foreign festivals (there’s a really fun one in Germany!) will get intrigued enough to fly me out for a future event. I know, I’m getting way too carried away here, but there’s no harm in dreaming, eh?

If nothing else, my life is gonna get a lot more fun and random: in addition to the notifications from 10 or so big film festivals I’ll focus on, I’ll keep getting random notifications from the 33 festivals I’ve just joined. There’s pretty much no way to keep track of something like that, so every single week will be an exercise in randomness, with unexpected “thumbs up / thumbs down” messages dropping into ye olde inbox.

And hey, maybe my film will actually win an award of some sort! It’s an honour just to have it screened in front of live audience (twice so far), but if I do actually win something, somewhere… I have many many plans for that sort of eventuality.

What a weird little hobby.

Short version: It was amazing!

Slightly longer version: It was amaaaaaaazing!!

Much longer version: The dictionary definition of “amazing” should refer – at least in passing – to the Dam Short Film Festival (DSFF) held in the beautiful Boulder City, NV. (Not far from Las Vegas.)

I had the absolute, incredible, mind-blowing honour of having my sci-fi short film, “Please Don’t Send Help,” screen at that beautiful festival. They accept only 23% or so of submitted films, and they’re among the top 1% film festivals in the world, out of about 15,000 or so. I first learned about the DSFF through an old friend of mine, Aaron, who lives in Nevada and occasionally volunteers. I’d never heard of DSFF before and I’m ashamed to say that my first thought was, “Well, that’s one goofy-named festival.” Heh. (The Hoover Dam has been a really big influence on that town’s history.) In the end, it was a matter of paying $50 for a submission fee in September – and I’m so very, very glad I did.

The notification email dropped on January 1: I was in! What a way to start the year, y’all. What followed was a frenzy of activity, since the festival began just six weeks later. Found a ridiculously cheap flight deal out of Montreal (thanks, Kiwi.com!), secured a couch to crash on (thanks, Aaron!), and started counting down days…

I won’t bore you with the minutiae and the many, many stories of fun shenanigans that happened in that desert town. Fun was had. Many many new friendships with fellow filmmakers were forged. Great vibes were shared. Much beer was drunk.

The staff, the volunteers, and the locals were so ridiculously, over-the-top friendly and enthusiastic… And there was so much variety among the films. Mine was an experimental 2.5-minute (not a typo; two-and-a-half minutes) short film made with NASA’s archival footage and a $15 budget. It aired alongside films shot on an iPhone in two days, films made with animated paper figures, Netflix-quality student films, and a film on sweatshops (Anuja) that’s up for an Oscar this year! Not every filmmaker was there, but there were still dozens of us, and we all rubbed elbows at the early-morning coffeeshop get-togethers and the almost-nightly afterparties. (Huzzah!)

While we were there, it rained for the first time in 10 months. Such a rarity in the desert… I’d spent 10 years of my life in Nevada, all over the state. I’m not sure if the others truly gathered the rarity of that event.

My film screened during the sci-fi block on Saturday afternoon. The theater was full: probably 250-300 people. It was incredibly nerve-racking. (Also didn’t help that I hadn’t eaten much beforehand…) It reminded me of the first time I did nude modeling: intellectually and logically, you know everything will be okay – but emotionally… Emotionally you’re a wreck, and you keep imagining wilder and wilder scenarios. (Incidentally, there was an excellent film from the festival that explored that very concept! Please enjoy The Bell Never Rings Again, a 15-minute masterpiece by Matthias Fuchez. Hurry, because I don’t know how long he’ll keep his film up for streaming.)

But I digress, eh. The nerves. Yeesh… After my film screened (without any booing or rotten eggs or riots!), there were a few more, and then it’d be time for the official Q&A on stage. I’d spent the entire day mentally rehearsing my answers to the most likely questions, trying to keep it my replies short as possible. (No one likes a microphone hog.) I sneaked out during one of the following film’s credits, went to the movie theater’s bathroom, and did the most stereotypical thing possible: splashed water in my face and gave myself a pep talk in the mirror. Long-time blog readers might know that one of my many, many online nicknames is “Grigorius of Tomsk, Devourer of Pop-Tarts, Victor of Many Battles.

Soooo, yeah, I stood there, in the empty bathroom, trying to psych myself up for the huge Q&A in front of hundreds of people, by staring my reflection in the eye and saying – repeatedly – “You are Grigorius of Tomsk, Devourer of Pop-Tarts, Victor of Many Battles. You got this!” And you know what? That actually helped! (It would be so very, very funny if there’d been a volunteer or just a random guy who stood just outside the bathroom, afraid to go in, wondering what the hell was going on. I guess I’ll never know!)

So, anyway… The Q&A. It was myself and the guy that did special effects for one of the other sci-fi films. Just the two of us on that big stage. Something went sideways during the planning process, apparently, and the entire Q&A ran for just three minutes, not 10-15 like I’d anticipated. Bah, humbug. Still, I got a couple of quick answers and didn’t make a fool of myself. That’s not bad, eh.

I’ll fast-forward here and say that I didn’t win the audience prize for the best sci-fi, but that’s alright – there will always be next year. The festival went above and beyond with their red carpet experience on the awards night. They ferried each filmmaker (or filmmaker team) in a fancy car, ranging from a famous pickup truck to a red Corvette (I got to ride in that one, wooo!), with an actual red carpet, a local pageant winner escorting you from the car, arm in arm, the local media doing a quick interview, and about a hundred people cheering and whoop-whooping at the top of their lungs as you made your appearance.

That was phenomenal. Absolutely phenomenal and over-the-top and brilliant and amazing. (The final afterparty was fun, too!) I say this with utmost honesty and without any exaggeration: that was the greatest week of my adult life. I am addicted now. I shall return. And also, now I’m spending a lot of time looking up other top-rated festivals, as well as those that aren’t in the top 1% but have rave reviews focused on hospitality and enthusiasm.

This festival gave me a ridiculous boost of self-confidence and inspiration. During the flight back to Quebec, and the days that followed, I wrote two new short stories from scratch (for upcoming anthologies) – and I have a great feeling about them! A couple of days ago (the festival ran February 12-17) I chugged my emergency NOS energy drink, sat down with no distractions, and knocked out three new short films. All three were made with found footage, and with sub-$50 budgets. Two of them were drafts I’d never gotten around to finishing, and the third one was something I’d gather the components for but never quite assembled. Well, they’re done now: just need to make a few more tweaks after my beta-viewers’ feedback, and voila – three new shorts I’ll bring to the festival circuit, right after I finish hiking from Mexico to Canada. (Again.) ((My life is very strange.))

I still can’t quite believe any of this is happening. If you’d told me this a year ago, I would’ve called you a damn liar. Making my sci-fi film was just a fun distraction while I waited to hear back from literary agents. (Still waiting!) There are some mighty interesting implications in the fact that it’s literally easier to break into one of the top film festivals in the world than it is to simply find an agent. (Not a publisher or a writing award – just an agent.) I suppose I may have to rebrand myself from “writer who dabbles in editing” to “experimental filmmaker who occasionally writes.” Heh.

Oh, and before I forget – I have my own IMDB page now, woooo! It’s pretty funny how you can add almost anything to your own trivia page.

So… I suppose I’m officially a filmmaker now. Got many many new ideas. Grandiose plans. Strange stratagems… Or, you know, the usual. This is a wild, unpredictable, amazing new chapter of my life, and I am loving it. Here is to many more film festivals, my friends.

P.S.: they’re still processing the red carpet pictures, but you can find the rest on my Instagram here, here, and here!