Category: adventuring


They drive on the left here. Walk on the left, as well. Unless they don’t.

Ten weeks in Japan. The original plan had been to crisscross South America, but a girl I’d met at a Montreal party invited me over, and when the universe sends you an invitation, how can you possibly refuse? Lasted a month. Didn’t work out. Good memories.

Japan is not expensive. Ignore the scaredy gossipers. As of right now, 1 USD = 156 yen. Shorthand: 1,000 yen = just over $6. The absolute cheapest hostels in Tokyo cost 1,200 yen a night, though the accommodations are obviously imperfect. The ones I spent six weeks in would cost about 1,600-2,200 per night. If you shop around, you can find cheap delicious sushi joints where 1,000 yen will get you six or so sushis, far more delicious than back home. A sushi bar in a Kyoto alleyway would serve six sushis and a glass of beer for 990 yen, and that was beautiful…

Sometimes, the pedestrian traffic spontaneously switches sides, and then we all walk on the right.

Judging by the “help wanted” posters I encountered, low-level service jobs pay about 1,500 yen an hour, give or take. Any $15/hour McDonald’s employee in the US makes about 50% more than their Japanese counterpart. Remarkable.

Women here wear skirts. Lots of skirts. Just the skirts, really. No leggings, no blouses or even tank tops – only skirts of wildly varying length and fashion, even in near-freezing weather. A sheltered Victorian’s dream. Sometimes, they would wear microskirts over a pair of sweatpants, and it would look like a strange totemic ritual. I’m not normally one to pay attention to fashion, but when 60% or so of one gender dress the exact same way, that’s quite noticeable. I wonder what specific point in history had influenced this development. Or was there ever one?

Oddly enough, no unusual fashions among men.

It seemed like every single public-facing job had its own uniform. Not merely a lazy reflective outfit, but a colour-matched combo of pants and jacket and shirt and maybe even a badge. Is this stratification or pride or both or neither?

Museums. So many wonderful museums… For the first two weeks, I hadn’t known about Tokyo’s city-wide Grutto pass that unlocked almost 100 museums for 2,500 yen. Good investment.

There was a subway station that had an infinite wave of Tokyo commuters coming up the stairs. Infinite. Far more than any train – than any ten trains – could possibly disgorge. Reality glitches like that sometimes. The equally confused Japanese girl next to me summoned the elevator normally reserved for handicapped folks. We descended in shame.

Art gallery openings multiple times a week. New friendos. Well, at least until I caught some sort of flu in an Osaka hostel, turning into a bit of a zombie. Before that, with an odd gallery opening on Christmas night, I entered a small artist loft to discover five maybe-artists having a communal meal. They stared at me, not having expected anybody to answer their summons. They did not share their snacks.

Sometimes, on a wide enough sidewalk, the pedestrian traffic goes in alternating currents, left right left right, and trying to cross it becomes a strange game of Frogger.

Wildlife encounters, controlled: a shoulder owl at the world’s top owl cafe; handfeeding monkeys on a mountaintop near Kyoto; being bullied by deer in Nara; a man walking 23 dogs at once near Tokyo’s cosplay alley.

Wildlife encounters, hypothetical: a very serious (and graphic) sign at a large temple, warning about bear and boar attacks, especially at night.

About once a week, if I stood perfectly still in a large, wide-open space, with my attention on my phone, a local would slam into my shoulder with all their might and then skedaddle the hell away at top speed. Given that I’m 6’1″ and wear a rather distinctive red coat, that implies either a localized epidemic of inner ear imbalance, or my animal magnetism getting out of whack, or…

The one truly bad experience: Tokyo’s museum of military history. It was a bit of a red flag that it wasn’t covered by the city-wide pass… Inside, nothing but shameless, insultingly lazy propaganda. Apparently, Genghis Khan’s flotilla was defeated (and twice) not by anomalous typhoons (which inspired the word “kamikaze” – “divine wind”) but by plucky Japanese fishermen in their tiny maneuverable boats. There was a huge painting and all. WW2 displays made it sound like Japan went camping and then folks started shooting for no reason, so it had to shoot back… And the plaque on Japan’s occupation of Indonesia was phrased so over-the-top awkwardly that it made me fact-check it on the spot. Verily, they pretended like millions of Indonesians didn’t die during that occupation. Odd, that. The museum was huge and had some impressive displays, but eventually the sum total of lies became overwhelming. Was anything there even real? All those planes and submarines and torpedoes – had they been 3D-printed and painted on site? The experience left me shaking with disgust. Whoever is sponsoring this alleged museum (likely far-right nationalists) do so in order to spread doubt, to provide legitimacy to their lies as they shamelessly rewrite history even as more and more witnesses die of old age. And soon enough, they’ll be able to present their alternative facts as a plausible version of history. For what it’s worth, my Japanese friends felt mighty awkward about that museum’s existence, too.

The 500-yen coin is big and beautiful and shiny. Its value is just over $3, and it lets you roleplay like an old-timey Western cowboy. That single coin can buy you a small meal at McDonald’s, or four small bags of chips, or several cans of beer at a convenience store. And yeah, sure, you can do the same with a $5 bill back home, but there’s something extra-cool about doing that with a single shiny coin, eh.

McDonald’s is omnipresent here. Burger King and Wendy’s have scant outposts, having been defeated in some epic battle years ago. McDonald’s made for a convenient save-point. An infusion of a medium coffee (no large coffees in Japan) and two apple pies cost just 460 yen. Yum.

Things that don’t exist in Japan: free little libraries; trashcans. (Folks carry their garbage home, or dash into a convenience store to drop it off there.)

Things that I’ve seen only in Japan: an enclosed smoking area outdoors (and, rarely, indoors) where giant opaque plastic walls would provide concealment to nicotine addicts. Oddly enough, the actual stench of cigarettes on the subway was rare.

My local friend wanted me to cut my hair, which I’d been growing off and on (I am easily tricked by women with hairdresser aspirations) since 2020. Argued against it first, then realized I have no particular reason aside from habit to keep it that long. Sink. Scissors. Cheap barber, frustrated by the amount of remaining hair. Manual adjustments in the mirror afterwards. It does look better.

The prices were quite odd. A glass of draft beer cost more than a glass of wine. In stores, a cheap bottle of wine would cost 500 yen. (I tried one – for science, you understand – and aside from the plastic bottle and the plastic twist cap, it actually tasted better than some $12 wines I’ve had in Canada.) The absolute cheapest (and allegedly disgusting) medium-sized bottle of whiskey would cost 450 yen, or less than a McDonald’s snack. Remarkable.

I rode an intercity bus (3,000 yen), took a domestic flight (5,000 yen, but you spend lots of time and money taking the transit there and back), and the Shinkansen bullet train (a whopping 15,000 yen – but I had to do that at least once, to see what civilisation feels like).

The greater Tokyo area has 41 million people. You can fit every single Canadian here, eh. At times, it felt like the human version of an anthill.

There are no “third spaces” here. No benches to relax on. Relatively few parks. No tables or food courts at the big subway stations to enjoy your convenience store snack. (Though to be fair, some of those stores had designated sitting areas where you could eat and drink your purchases.) There is a phenomenon of “coffee refugees” – folks who would buy a coffee and then just… camp out. I could never spend more than 30 minutes at McDonald’s or such, but I saw the locals who would stream hour-long TV show episodes, one after another. That felt like a strange social compromise.

Japanese internet cafes are fascinating. You can rent a private room with a computer by the hour, by the day, by the week, by the month. Many do the latter, because that’s cheaper than renting an apartment, and you’d get free snacks, drinks, and showers. (And hey, a computer!) Apparently, when these businesses got shut down during the pandemic, thousands of Japanese people ended up homeless, and the whole country acted surprised. I made several visits – mostly to wrestle with a PC-only PDF file for the Canadian military’s writing contest. One visit was to reformat a video file for a small film festival. Cheap and excellent, would do so again.

The infamous capsule hotels were quite nice, actually – though their tiny lockers were designed for salarymen who missed their last subway train, not for tourists. Even with my height, there was plenty of space in the actual capsule. The blackout barrier curtain thingy worked too well: I would often wake up at 11am, thinking it was still early morning.

Outside Tokyo, I (personally and subjectively) found most towns to be too slow, too relaxed. What does that say about me?.. Kyoto came close: its party district was lively; its gigantic science museum was second to none. I once thought I might sign up to teach English in a small Japanese town for about a year. This visit has dissuaded me.

I visited a Japanese bathhouse four times: once, a famous traditional one in northern Tokyo. The other three times, at my strange hybrid hotel in Sendai, which combined posh amenities with a separate space for hostel-dwelling travelers. No showers here: just the public bath. Made sure to read up on all the etiquette beforehand. Didn’t start a riot, which is good. My utter lack of tattoos came in useful for once: tattoos here are associated with the yakuza, and thus aren’t welcome at public bathhouses. I may have stuck out like a sore thumb, but at least I belonged in that one respect.

My ever-restless brain came up with a viable plan to become a Tokyo salaryman, visa and all. But I would never fit in here. If I try very very hard, I might get accepted as a quasi-local in Quebec, especially in Montreal, but not here. Never here. And that is fine.

Bringing my tiny old 2015 Chromebook when I began this odyssey, more than four months ago, was unexpectedly wise. There are some things that a cellphone is incapable of, no matter how hard Google Docs may try.

The flight from Los Angeles to Tokyo took 12 hours and cost $238, because ZipAir would nickel-and-dime you for absolutely everything. I subsisted on a liter of airport water and a half-full bag of Doritos. The view from the window on the right was always blue. From the left, purple. I played Stardew Valley on my netbook and inspired at least one fellow passenger to do the same. Good game, eh. The flight from here to my next destination will be merely seven hours. From there to North America (eventually) will be merely 10. On some very small level, I feel cheated.

The five-yen coin is glorious, especially when it gets that extra brassy shine. I have an ongoing long-term art project: a medium-sized wooden chest filled with beautiful foreign coins. (Not necessarily exotic: the amber-coloured Canadian pennies are wonderful.) When I stepped into a rural bank and asked to buy a hundred 5-yen coins, that may have disrupted all of their established protocols. I waited 15 minutes and paid a 490-yen fee on top, but I did get my hundred coins. They will look glorious in their new home.

Vending machines. Vending machines everywhere. Overwhelming choice, with variable prices. Mostly coffee, some drinks, sometimes cake. Depending on the vendor’s desperation, you can find a machine that would sell a hot can of coffee (or soup!) for a mere hundred yen. And no, before you ask, there were no R-rated vending machines. My local friendos said that was just the one machine, in a single building, that besmirched Japan’s reputation that way.

There is an entire industry of capsule toys, with hundreds of those machines in long, long rows inside pachinko parlors.

The claw machines were rigged.

My writing and filmmaking sides are in a constant competition. No hardware to edit films here on my voyage, so I would spend empty evenings writing stories or hunting down ever-stranger and obscure submission calls. (Only the ones that pay, of course. I may be a degenerate, but even I have standards.) It is February 4th. Since January 1st, I’ve submitted 202 personalized letters to various editors and anthologies, accompanying my stories and the occasional poem. I’ve met some success. I have no clue what will come of my viral essay being longlisted for the prestigious BSFA awards, but it’s an honour.

I’m leaving much of Japan unexplored. A fairly small circuit: Tokyo, Osaka, Kyoto, Sendai. (An unexpected gem of a town.) That’s largely due to the weather: my increasingly ragged red coat and Ecuadorian llama beanie keep me somewhat warm, but only somewhat, and even that is far from the coast. Some other time.

In approximately 38 days, barring any long-shot plans paying off, I will be sleeping in the desert, beneath the shiny stars, starting my second Pacific Crest Trail thruhike. High likelihood. We’ll see.

Sendai’s airport charges only 950 yen for a liter-sized mug of beer. Remarkable. Delicious.

The ticketing counter is yet another bureaucracy that breaks upon encountering me. They try – at first politely, then less so – to ascertain if I intend to stay in Thailand illegally, on account of my flying there with no return ticket of any kind. The conversation with the customs upon landing will be fun.

The lifesize Unicorn Gundam next to a big shopping mall in southeast Tokyo takes a while to get to, but it’s absolutely worth a trip. Intimidating, beautiful, fantastic.

I have bought a white horse at a temple. He is small and ceramic and beautiful and his name is Horatio.

Onward, then. Ever onward. To Thailand.

Well met

An almost empty museum.

One visitor admires the art.

Three guards observe the visitor.

All become art.

The plan went kind of sideways. And upside down and inside out, but fun the entire time – and that’s what matters.

The flight to Quito got delayed more and more, to the point where my cleverly planned timeline (landing before sunset) got scrambled and we touched down in pitch darkness. The customs lady couldn’t quite comprehend the concept of somebody flying this far to work for free. (To be fair, my New York sister also had a hard time with that notion.) Fortunately, one of her colleagues had heard of Workaway, and I got waved through.

There were no buses running at that hour, only a $25 taxi to the motel near the bus terminal, and another $25 for the motel itself, once I convinced them a) that I wasn’t a vampire and b) to raise their metal barrier and let me in, eh. Mucho dinero hemorrhage, and within just an hour of my arrival in Ecuador. Ho hum.

Ecuadorian bus terminals take a bit getting used to: there is the Ticket That May Not Be Lost, and a tiny receipt with the gate QR code. Gods help you if you lose either one, eh. My high school Spanish returned surprisingly fast, aided by Google Translate and a pocket dictionary. I spent a few hours waiting for my bus to Manta (the west side of the country) by people-watching (so many vendors!) and staying in close proximity to my two backpacks. There were quite a few cops walking around the terminal, twirling their batons, but why take the chance?

Free pro tip: if you’re traveling across Ecuador, take the night bus, not the day one. The projected 8-hour journey took 11 hours total, largely because of the 40-minute breaks the driver started taking toward the end, when there was only one other passenger besides myself. From Manta (again, past sunset), it was a pricey taxi ride to the beach community of Santa Marianita, and to the guesthouse (which will remain nameless) where I was going to volunteer for about a month.

The place was fairly big and cozy: many hammocks, lots of books, 22 cats, three dogs, a nice 85-year-old lady who owned the whole place, one other volunteer, and a couple of long-term guests. There was also the guesthouse manager, a Scottish-American fellow who used to be a CEO in Colorado…

The five-ish hours of work, five days a week, were mostly easy, until they weren’t: lugging around big bags of gravel (about 80-100 lbs each) without any equipment was no bueno. Painting and varnishing the fences was a bit more fun. The ocean, just a few feet away, was the saving grace. The nearby town of Manta (described in guidebooks as “there is nothing to see here) could be reached by walking to the highway and flagging down a truck for about a buck. (Ditto for the return trip.)

I spent one of my weekends on a trip to Puerto Lopez, a very touristy town where I booked a trip to La Isla de la Plata (aka “The Island of Silver” aka “Poor Man’s Galapagos”) where we all snorkeled (wayyy outside my comfort zone, but fun!) and hiked and admired lots of blue-footed boobies. Those birds are too goofy to be real: they look like cartoon characters that escaped into our world. That tour was worth every penny of the $41 I spent on it, eh.

My volunteer adventure came to an unexpected end after just 18 days. Each Friday, the guesthouse’s owner hosted a restaurant night for all the local expats. Beer, burgers – the works, and for a fairly low price. The guesthouse’s manager utterly lost his cool when faced with a larger-than-normal crowd: instead of the usual 15 guests, he had 25. They were all slow-moving, slow-eating, and slow-drinking pensioners, but he treated it like a national emergency. Consequently, he treated us volunteers as if we were contestants on a British cooking show. He launched many an F-bomb at us volunteers when we couldn’t quite make sense of his rapidly changing plans for fork arrangements. (No, really.)

At the end of the night, when we too feasted on burgers and beer, I very politely asked him not to insult his volunteers again, please and thank you. He reacted by storming off, saying he’d had enough with me, and telling me to leave the first thing in the morning. Right around that time, he also shouted at the guesthouse’s 85-year-old owner. In front of witnesses. He then took off to do some drunk-driving around the neighbourhood.

While I tried to make sense of it all, he sent me a series of Whatsapp messages describing how serious he was and how much he hated me in particular. The room doors in the guesthouse were thin and flimsy… I barricaded my door with furniture and couldn’t fall asleep till 3am. I slept with two kitchen knives by my side: an overkill, perhaps, but when dealing with an irrational agent who had clearly had more than just beer, can you really play it too safe?

Morning came. He disappeared, perhaps unwilling to look us in the face. The guesthouse’s owner tried to assure me I could still stay, but with such limited space, and with no way to avoid the guy, it would’ve been one mighty passive-aggressive environment. I packed up, had my last free volunteer breakfast (bagels and eggs), and left town. I don’t stay where I ain’t welcome. Later, I heard that the other volunteers left soon after me, as did one long-term guest. The owner’s US-based daughter messaged me to get my side of the story. Not sure what happened to that manager, but meh, he’ll get his someday.

I hung out in Manta and (being a smarter tourist this time) took an overnight bus back to the capital, to Quito. Workaway has the option to search for the hosts who seek last-minute volunteers, and that’s how I ended up arriving at a vegan anarchist compound near the rainforest town of Loreto. (Which was another seven hours by bus from Quito.) There were no other volunteers here, just the two hosts and myself.

Their reforestation project was noble. The fruit trees and tropical flowers were beautiful. The sunset was lovely. I even got used to eating only bananas and quinoa, while using leaves for toilet paper. But… One of the hosts (the one I spent the most time around) started making jokes (plural) about genocide, followed by a racist joke I wish I could erase from my mind…

Life is short, and it’s important to be careful what kind of inputs you allow into your brain, your heart, your soul. The people you surround yourself with will always influence your worldview. That wasn’t the kind of influence I wanted… I invented a flimsy excuse (a volunteer meet-up in Quito) and bounced out after just two full days and two partial ones.

With my volunteer plans dashed to hell, I decided to just spend my last two weeks in Quito, at the high-rated (and, at just $8 a night, quite cheap!) hostel: Community Hostel in the historical district. It was, without exaggeration, the best hostel I’ve ever stayed at. The view from the rooftop was glorious, especially at night. The Basicilo del Voto Nacional looked like something from a Disney cartoon when it was lit up in the darkness.

Much partying and exploration followed. Ecuador is not a rich country, and foreigners are advised to stay indoors after sunset (because, ya know, vampires) and to avoid most of the city even by daylight. The hostel was just a five-minute walk away from the presidential palace, but there were three-way knife fights and domestic violence happening right underneath our windows almost daily. We watched, and could do nothing, and stayed indoors.

I write this as I pace the hostel’s rooftop deck, looking at the wide street below, covered with piles of trash and flimsy blankets where the most unfortunate Ecuadorians sleep on the sidewalk. As I write this, a homeless woman is urinating on a palm tree. …now she picked up a stick and started poking the homeless person trying to sleep.

Ecuador is a beautiful country, but (and I say this as an imperfectly informed outsider) its social and structural systems are broken. Crime is rampant. The air is polluted from all the vehicle exhaust. It’s particularly bizarre when one of the many local municipal buses drives past you and belches a giant cloud of black smoke into your face. The only drinking water comes from large water canisters that are delivered daily, by truck, along with metal cylinders filled with natural gas for cooking. Local entrepreneurs drive those trucks starting 6am, each with their own little tune playing at top volume. There is no postal service anywhere in Ecuador as a result of some government shenanigans a few years back: only delivery companies remain.

Ecuador’s nature is beautiful, though – at least the parts that are protected from developers. A two-day trip to Mindo resulted in a ride on a cable car, a nice little hike to several waterfalls, and a visit to a butterfly sanctuary. (I leveled up as a druid when I learned how to lure those giant butterflies on my hands and nose. Huzzah!)

But not all is gloomy. Ten days ago, there was a national constitutional referendum. The government banned alcohol sales for that entire weekend. (Though the ban wasn’t enforced all that well…) There were dozens of armed soldiers all over the capital, prepared for trouble. In the end, the people voted to protect the environment and to keep the US from setting up military bases in Ecuador. No violence erupted. I carry two passports on my person, so I showed only the Canadian one, just to play it extra safe.

This country can be so cheap… There are tourist traps that can and will charge you $15 for a mediocre meal. But there are also cheap local places, like my favourite breakfast diner, where a local grandma cooks only one thing – an avocado omelet. It comes with coffee and freshly squeezed juice, and costs just $2.50. Combine that with the dirt-cheap, overabundant fruit and cheap hostels (mine cost $8 per night for a dorm bed; others cost far less) – and you can live here long-term for very very little money…

Quito is beautiful if you choose to look only at the pretty buildings. Cathedrals, museums, murals, the occasional parade – just ignore the cops beating the hell of a fruit vendor lady who dared to push them back. Ignore the waitress with a knife scar extending from her mouth across her cheek. Ignore all the many, many people who are missing eyes or have broken noses. Ignore the walls upon walls covered with “missing” posters: all genders, all ages. Ignore it all and spend and smile and laugh.

Meanwhile, I’ve made a few buddies at the hostel during my two-week stay. They taught me a few neat tricks about low-cost travel. I’ve also resumed writing my ambitious novel featuring apathetic space aliens – and finished a rather snappy flash story (950 words!), while submitting it and others to anthologies and magazines. Glad I decided to bring my old netbook!

I’m typing this last part in Quito’s international airport at 10:33pm, waiting for the first of my three flights. This airport features the world’s most expensive duty-free store. (If I really do buy those five boxes of wine for $160, do I get to turn that plane into a party plane?) It also sells tiny bottles of coke for $5 a piece. There’s the world’s most puritanical Victoria’s Secret. Alpaca scarves that cost 300% more than my local souvenir vendors charged. (Incidentally, I got an excellent deal on a poncho a few days ago.) I’m munching on a $4 bag of Doritos in protest of this price-gouging.

Weird place, Ecuador… I don’t think I’ll visit it again. I hope the people retake control and make their country more like Costa Rica and less like Russia. They deserve stable, peaceful lives, as do we all.

And meanwhile… My initial plan had been to spend a month or so in a different South American country. (Peru? Argentina?) But a lady friend I’d met at a Montreal party almost two months ago (and have stayed in touch with) invited me to Tokyo, in exchange for symbolic rent, for as long as I want. When the universe sends you that kind of invitation, how can you possibly say no? And so, I found the cheapest airline out there (ZipAir: $238 for a direct Los Angeles-Tokyo flight!), spent a few hours double-checking all the details, and now I’m about to board the first of my three flights.

I’ll spend a total of 22 hours in the air, with a big 24-hour layover in LA, but it’ll all be worth it in the end. Plans change all the time, but my current best bad plan is to hang out in Japan until the film festival season kicks off in February, and then my nomadic odyssey will continue.

Here is to more vagabonding.

That very specific and unusual sensation when you’re traveling for more than 48 hours in a row (Ridgway, Denver, Quito, Manta) and you’re almost constantly in motion, across state lines and countries and continents and hemispheres. Untraceable and everywhere and nowhere…

Colorado was as fun as it was beauitful. Denver reminded me of Portland, only higher. I didn’t get to spend a lot of time there, but the parts I saw were creative and memorable. I had two days between film festivals, so I stepped wayyy outside my comfort zone, joined the Couch Surfing site (I didn’t even know couches could swim!), and got a free night stay in Denver. Major kudos to Tony, a cool Vietnamese-American guy who let me crash in his comfy attic. Going up and down on a metal ladder made the experience that much more surreal and entertaining.

If you ever travel across Colorado, I very highly recommend the Bustang bus: they accept cash, the buses run on time, and – unlike Greyhound – there’s zero smell.

My Couch Surfing request in Grand Junction didn’t work out, so I got an AirBnB room at the edge of town. The following morning, trying to be a good tourist and sidestepping the road construction, I fell into a ditch and got covered in mud. After a quick detour to the construction site’s portapotty and a very slow-motion clothes change (just like that Deadpool trailer with the phone booth), I emerged in my spare pants. (Later on, a washing machine reatored my jeans and sweatshirt to their original condition.)

That did leave a lot of mud on my boots, though… For the rest of that morning, until my 1:30pm bus to Ridgway, the locals kept giving me the stink eye. Haters.

My phone, which is almost but not quite waterproof, got quite a bit of mud into every single port. It was a bit touch-and-go there, but the phone camera came back to life fast, and the phone’s speaker and microphone went on strike before resuming their duties. One helluva mud ditch, eh.

On the upside, I met my first-ever supervillain-coded person! The locals know her as The Crusher: she collects all their unwanted electronics and gadgets (mostly printers) and then disassembles them. The valuable bits go to industrial recyclers, while the rest goes to the plain old recycling. That’s something I’ve always been curious about (see my 2020 lockdown posts), and it’s beyond exciting to learn someone out there has actually made a business out of it. May your salvage be ever fruitful, Crusher.

I noticed something odd while wandering around the downtown Grand Junction, muddy boots and all. That town of 71,000 people didn’t have a single diner that served an old-fashioned slice of pie. When I asked the locals, they got the “Mandela effect” look on their faces before saying that no, there aren’t any slice-o-pie places anywhere in town. How bizarre. Feels like that’s linked to the disappearance of third space, a la “Bowling alone.”

I settled for a giant chocolate chip cookie at some hippie-themed coffeeshop. It wasn’t bad. The barista was fun and flirtatious.

And then, at last, a bus to Ridgway – a dark-sky town of 1,000 people. They arranged a free hotel for visiting filmmakers, which is almost unheard of in our community. Fun little town. Lots of public art. (But no sliced pie. The mystery deepens!) Great mountain views. A truly dark sky. A stargazing party on a Saturday night: the brightest Milky Way I’d ever seen, and lots of locals with their telescopes, letting the rest of us look at the distant nebulas and planets. (Here’s looking at you, Jupiter.)

The festival itself was… It wasn’t perfect. It had many glitches during the film screenings. Its director was sick and unavailable for the duration, so maybe that was why. The award ceremony randomly got rescheduled and held 30 minutes earlier than scheduled. I hadn’t expected to win, and I didn’t, but it would’ve been fun to cheer for my new filmmaker friendos… As it was, we all sat through a full hour of local improv (they were enthusiastic, but that’s a lot of improv, y’all), after which everyone just got up and silently walked away. That, in and of itself, felt like some postmodern art performance. When some of my new buds explained the actual award ceremony had happened 90 minutes ago, I called them liars until finally conceding that yes, the facts did seem to fit their quaint narrative. Ah well.

But that was on sunday. On Saturday night, my short film’s screening had gone fairly well, and since I was the only filmmaker in attendance for that block, the Q&A section was entirely mine. That’s pretty rare, eh. I took the opportunity to edumacate the small but lively audience about all the cool public domain videos they could use for their own filmmaking experiments. The anxiety of small glitches had gotten to me, so I was in my “talking fast and gesticulating and grinning” mode rather than the “cool and suave foreign filmmaker” persona. For what it’s worth, the audience seemed to understand and appreciate my words. With any luck, I’ll get a do-over next year. Live and learn and improve.

After the non-award award ceremony, I used my political science skillz to corral all the remaining filmmakers into an afterparty at the hotel’s bar. (Great loaded fries!) That experience, with just the six of us sitting and sipping beer and talking about filmmaking, was the single best part of the festival for me. (Though, once again, the locals’ hospitality was wonderful.) We all headed back to bed once the bar closed for the night at 9pm. (Small town, eh.) Much fun was had.

And so my first-ever Feral Artist Nomad odyssey ends. Three back-to-back film festivals, two weeks, many new friends, an offer to crash at a new buddy’s place if I get into the Durango film festival. (I submitted my comedy sci-fi film just ahead of the final deadline. Toes and fingers crossed!)

…sometimes, I go two whole days in a row without thinking about her…

Typing this up on the bus headed to Denver – a long ride, but cheap, and with beautiful views. From there, a red-eye flight to Ecuador by way of Atlanta, and a night at a motel right across Quito’s bus station, and a looong ride to a beach town where my Workaway volunteer hosts await – because to hell with Canadian winters.

But that’s a whole different adventure.

Onward.

Such a small world.

The bus that took me from New York to West Reading, PA had two other filmmakers: Vanessa and Kathleen, the co-creators of the wonderful “Five Flights.” We chatted a bit before boarding the bus and then shared an Uber to Marriott’s. (Reading Film Festival provided two free nights to every filmmaker, woot!)

Our names were on the VIP guest list, so the check-in took literally seconds. The organizers gave me a bag of festival swag, two filmmaker badges (alas, I had no companion… but that meant double the drink tickets!), and an XXL-sized T-shirt due to the L-size mix-up. If I ever get a gf who likes wearing oversized shirts as pajamas, this will work great, eh.

After stashing my loot in my posh suite, I joined the first of the three separate filmmaker happy hours that night. In between, there was a 2-hour film block, but I can’t recall what was in it for the life of me.

And so it went the entire weekend: fun films all day long, all the beer and wine we could possibly ask for, and delicious food. By my guesstimate, there were about 40 visiting filmmakers (the local ones didn’t get the free hotel suites), and many new friendships were forged.

I showed off my very first film, “Please Don’t Send Help,” to quite a lot of applause and a fun Q&A with the audience and the event’s host. Along the way, I talked about my technique (making films solely with public domain footage) and trash-talked AI (which was really too easy).

The film block just before mine was “Animation and AI.” Three real animated films, three that were AI garbage. The sole filmmaker from that block who attended the event gave a brave, passionate speech: he’d spent months of his life creating and perfecting his short film, and it was slotted with that slop… The audience gave him one helluva ovation. One audience member actually asked the host to clarify which of the six films were AI slop.

That was a recurring theme throughout the weekend. Lately, AI cultists have been either bribing film festivals to accept their slop or downright spamming their submissions with infinite pieces of AI-generated videos. Each film festival that surrenders and accepts AI adds a bit more legitimacy to those dishonourable thieves. We’ve recently lost Telluride…

As far as I can tell, the Reading fest has added that section for the very first time. (This was their 11th annual festival.) I don’t think they’d anticipated the amount of backlash and anti-AI sentiment they would get. I told the festival’s runner that it would’ve been great if all AI-made (or AI-assisted) films had had a little mark next to them in the program. (It doesn’t have to be a scarlet letter, but that’d be nice.) I’m curious to see if that will happen…

Along the way, during my 55-hour stay in that town, I took very quick trips to see an old firewatch tower, the pagoda built by an eccentric German, and a small but sturdy castle where we had our very last (and small) afterparty on Sunday.

I also took an early-morning walk through downtown: they have so many beautiful murals, so much random street art… There must be something in the water!

I didn’t win any awards (and honestly, wasn’t even expecting to), but on that Sunday morning, I found out that I won the second place in the “Best Comedy SciFi Short Film” category at Brooklyn SciFi Film Festival. My first-ever film festival win – I’m honoured beyond words, and will ride that high for a very long time. (Also, now I get to add “award-winning” to my artist bio – huzzah!)

That Sunday night, after all the goodbyes, and promises to visit one another, and cake, and beer, I stood at the same bus station I’d arrived at, awaiting the bus to Philadelphia for my red-eye flight to Colorado. While waiting there, I realized two things: the “made in Reading” part of the festival was rather enticing, and the area right around the dark bus stop was quite picturesque… That resulted in me jogging around the block (backpacks and all) and filming just about everything on my Android phone. Got about 3-4 minutes of footage out of it: I’ll see if I can transform that into a short urban fantasy film. (For added difficulty, it’d have to be edited entirely on my phone: my computers are in storage in Quebec.)

The bus ride to Philly went well, but I can’t say the same about my bizarre experience with the city’s transit system at 11pm… After the second train suffered an identity crisis mid-ride and dropped me off in a weird-looking neighbourhood, I finally called a taxi. The driver was over-the-top apologetic for the way his city welcomed me. Good guy. Tipped him well.

And then… A night – and not even that – spent at the airport. People – and I use the term loosely – who thought it was fine to play loud videos on their phones at 1:20am as we all waited for the ticket counters to open. A 5am Frontier flight to Denver by way of Orlando, as well as a reminder why I rarely fly Frontier. My backpack cost me $70 since it was a carry-on item. The woman next to me in line was moving, so she had five gigantic (and bright-pink) pieces of luggage. They charged her $900 to check all of that in. She almost started crying… But ultimately accepted their terms.

Such a strange little world.

And meanwhile, a plane was waiting to fly me far away, to the Colorado mountains…

It’s 9am on a chilly Friday morning, and I’m about to bid New York adieu. The last 96 hours were eventful: an overnight bus from Montreal, followed by four days of mingling and touristing, as well as three nights of sci-fi films from around the world.

I love this city… In some other timeline, one where Amazon didn’t roll back its expansion, I would’ve moved here instead of Canada. So it goes. The subway, the busy streets, the grandiose and gorgeous monuments the locals take for granted – I’m not sure I could ever grow bored here.

I’ve done all the usual touristy things: the Grand Central Terminal, an overpriced lox bagel, several laps around Times Square, and hours upon hours of walking and gawking and taking pictures. (Hey, it’s a photogenic city.)

Elsewhere, one potential renter after another lies about their intention of renting my Quebec City apartment, and time passes. It sits empty, waiting. By now, I’ve figured out the landlord’s strange chain of communicaton, sending a message in triplicate each time another desperado messages me, aiming to rent an apartment they can’t visit, guided solely by the video tour I’d recorded and annotated in my pidgin French. With any luck, this latest candidate will comr through, or I’ll be on the hook for yet another month of rent on an apartment I have no intention to return to.

This film festival has remarkably more AI fanboys than last year. (And even one fangirl!) For the time being, they’re not in the majority, or even the plurality. When my film, “How to Prepare for Time Travelers in the Workplace,” screened and when the viewers saw my note that I hadn’t used AI, there was some passionate applause – so I’ve got that going for me.

Last night was my film’s worldwide premiere. Not my first screening or Q&A, and not even the third. And yet the jitters never fully go away. Will they hate the film? Will they boo? Will they form a remarkably well organized mob and proceed to tar and feather me? (The odds of that are low, but never zero.) And then the film begins, and the audience laughs in all the right places, and seven minutes later, they cheer and clap. (And then they laugh some more once they see the Easter egg at the very end.)

Afterwards, a few of them walk by to tell me they liked it, to ask – with reverence in their voice – where they can find the story the film was based on, or whether they can follow me on Instagram. (But of course.) In turn, I encourage them to read Robert Rodriguez’s “Rebel without a crew” and try to make their own low-budget films. I hope to meet at least one of them at the next year’s festival – as a fellow filmmaker, not as an audience member. (The odds of that are low, but, yet again, never quite zero.)

The dozens of short story submissions I’d sent out last month are coming home to roost. Only rejections so far, but that’s okay: I redirect them to other publications using my personal system. I’ve got time.

A small film festival from Stockholm emails me: they like my debut film, “Please Don’t Send Help,” and it’ll be part of their program. Neat.

An experimental musician who dabbles in 3D imagery performed at last night’s film festival as the opening act. Another short film idea – or maybe even more than that – popped up in my brain.

At film festivals, names and faces and tenses eventually blend together, mixing, combining, forming something better and stranger and new. Even more so when free beer is involved. (The free beer was great. The free gelato had been a lie. So it goes.)

During my final subway ride, in the tunnel by the exit, Wonder Woman plays the violin – one pop-culture tune after another. The violin has formed a blister on her neck. I help her apply two bandaids during a lull in foot traffic. I record a video I’m unsure I’ll ever watch. I leave a tip.

By the escalator, at the boundary between the artificial dungeon and the dull October sunlight, a street preacher practices his craft. “What part do I play in my own destruction?!” he shouts.

I board my bus to the next city, the next film festival, the next improbable adventure.

Onward.

Ever onward.

The first part of my 2025-26 Feral Artist Nomad adventure is just about done.

It’s Sunday, and I’m enjoying the somewhat fresh air on a bench in the sun by the big bus station, awaiting the overnight bus that will take me from Montreal to New York and will depart in about seven hours. I’m quite sleep-deprived, but also happy with how things have turned out.

The big move on Tuesday, September 30th, was rough – but they always are. The two tall Ikea bookshelves were the hardest part, as usual. Driving the 15-foot Uhaul for three hours is a fascinating experience: it’s the closest that most of us will ever get to handling a tank. Montreal’s narrow streets and potholes were a bit of a challenge, and the truck may or may not have gone almost flying a few times. There were, fortunately, no cops in the vicinity.

It’s odd to know that everything you own can fit into a 5’x10’x8′ storage unit with quite a bit of cubic space left over. It’s secured with two padlocks and a magnetic card. I have no clue when I will access it next.

I spent five nights at the “Auberge Alternative du Vieux-Montréal” hostel, smack in the touristy part of town. Amazingly low prices, and you get used to the snoring of your dorm-mates eventually.

I swear I’m an introvert, but I made myself go out and attend events every night of the week. There was the literary open mic night, where everyone mourned the anniversary of their friend’s death, and where I performed my first-ever public reading of one of my short stories. (Some of the local poets and writers had grade-A material!) There was the weekly local writer meetup where only five people out of ~1,500 facebook group members actually showed up. They were an interesting bunch.

There was the karaoke party with a twist, where I met a fellow traveler, whom I got to know over the 36 hours that followed. My hostel bed probably wondered why I didn’t return. She’s flying back to Tokyo even as I type this. The bite marks make such beautiful mementos.

Exploring the city on foot is fun: always a lot to see, and my mental map of the place is slowly but surely populating. I’ve already found a popular local hole-in-the-wall that stays open till 2am. And a fun little store that sells random discarded Amazon items for a fraction of the price. I had to restrain my inner hoarder.

And now… I’ve put the last of my random and non-essential items into my storage unit (won’t need fancy dress shoes where I’m going) – I’ll start my one-man two-week film festival circuit very very soon. After that, straight to Workaway, probably. My clothes, fancy camera, non-fancy netbook, and harmonica are in my bulging Osprey backpack. My brand new CouchSurfing account has already secured me one couch in Colorado, for an overnight visit to Grand Junction.

Aside from the lack of sleep, I’m as ready as I can be. Let’s do this, eh.

Being an adventurer means taking all your stuff to a storage unit and embarking on an ill-defined, 5-6 month voyage of film festivals and tropical volunteering…

…while also setting aside one perfectly packed just-in-case backpack for an emergency Pacific Crest Trail thru-hike.

Strategy… Strategy.

Onward to Worldcon

Typing this up at 1:40am before catching some Zzz’s, a bit of packing, more than a bit of Tim Hortons, and a bus to the first of the two flights to Seattle, to the 2025 Worldcon.

This will be my first Worldcon and almost certainly not the last. I got here in such a roundabout way, too… Months ago, I was dying of boredom (a bit of a recurring theme, that) and, after playing with filters on FilmFreeway, I stumbled on Worldcon’s first-ever film festival. It hadn’t been advertised, and so it was just pure chance that I found it at all. Submitted my short film. Got accepted. Started thinking that if I’m going to attend in person, I might as well get the full week-long membership, not just the complimentary one-day ticket… And that’s how it came to be, eh. Life is a yarn ball of coincidences.

I’ll be in Seattle for six full days, at least four of which will feature post-Worldcon parties, and the sixth will have a barbecue right after a hike up one of the local mountains. (With a handful of other Worldcon attendees.) That should be fun… For extra fun, I’ll try to get up at 6am in order to be at a coffeeshop meet-ups (and one SFWA breakfast!) at 7-ish in the morning, for a chance to geek out with fellow SFF fans before the hustle and bustle of the convention.

On the off chance you’re reading this and have not yet finalized your Worldcon program – hey, come check out my film! Thursday, noon, room 331. It’ll be my third real-life screening, and it’ll be every bit as terrifying and exciting as the first two, I’m sure.

My sole regret is that I won’t be able to attend every single Worldcon panel – there are so many of them, and some of the really amazing-sounding ones overlap. Where’s a time-turner when you need one, eh?

This will be, without a doubt, the geekiest week of my life. Exactly 168 hours from now, I’ll be napping in Chicago’s O’Hare International Airport before my morning flight back to Quebec City: the first of many attempts to pay off the sleep debt I’m going to accrue in the coming days.

Can’t wait, eh.

Ever since my early retirement four years ago, I’ve been trying to have one big theme, one grand adventure per year. Last year, it was my quest for a literary agent: that one took a while, and required writing a whole new novel on top of the existing one, but it finally worked. (I’m very very happy to be represented by Brandy Vallance of the Barbara Bova Literary Agency.)

This year… Well, this year is going to be even more ambitious. About a year ago, I made my first-ever short film, Please Don’t Send Help. I created it using NASA’s archival footage, a $15 budget, and a whole lot of editing, which I learned on the fly. (Pro tip: DaVinci Resolve is amazing free software!) That got me into the Brookly SciFi Film Festival in, well, Brooklyn in October 2024, and then a much bigger festival, Dam Short Film Festival in Nevada just a few months ago. And now I’m hooked, eh.

The theme for this coming year will be “never-ending film fest party.” I’ve made a few more short films since my first one: How to Prepare for Time Travelers in the Workplace, So Long and Thanks for All the Bandwidth, Species Spotlight: Humans, and Drive Me to the Moon. (Good titles are very important!) The last one is my secret weapon, which I’ll try to send out to the biggest festivals of them all. I used the other three, along with Please Don’t Send Help, as part of my shotgun approach to film festival applications: I submitted those four at the same time in hopes that at least one of them will get their sci-fi curator’s attention. And if they don’t – well, life goes on.

Below is the full list of festivals I’ve submitted my films to thus far. My main criteria were reputation, vibes, and hospitality. (There are some small-ish fests on this list that nonetheless have a stellar reputation.) I’ll revisit this post in about a year, once everything is done. I’m sharing my list in the interest of full disclosure: if any other newbie filmmaker is reading this, I hope they’ll find my strategy helpful!

These film submissions ranged in price from free to $50 per film, and I’m not gonna lie – this cost me a pretty penny. However, a) if this works as planned, then I’ll spend the entirety of October and March bouncing from one amazing party to another, and b) if I get in, there’s usually an alumni discount (i.e., no need to pay the submission fee again in the future), and c) this is an adventure, eh!

I don’t expect to get into all 100% of those (though it’d be neat to get into the one in Finland: Quebec sponsors their filmmakers’ flight to that one!), but I think I have a fair chance with quite a few of them. Time will show how this grand project will play out: hubris, glory, a bit of both? We’ll see.

And so:

FestivalLocationDate
Festival de Cinema de la Ville de QuebecQCSept 10-14 2025
Cindependent Film FestivalCincinnattiSept 18-20
Healdsburg International Short Film FestivalHealdsburg, CASeptember 26-28
Cordillera International Film FestivalRenoSeptember 25 – 29, 2025
Portland Film FestivalPortlandOctober 1-5
ReadingFilmFESTPAOctober 9-12
Tallgrass Film FestivalWichita, KansasOctober 16-19
Hamilton Film FestivalOntarioOctober 17 – 26
SPASMMontrealOctober 22 – November 1, 2025
Coast Film & Music FestivalLaguna Beach, CANovember 1-9
Yucca Valley Film FestivalYucca Valley, CANovember 7-9
Centre Film FestivalPANovember 10-16
Cucalorus Film FestivalNCNovember 19-23
Utah Film FestivalUTJanuary 1-5 hahaha
Lookout Wild Film FestivalChattanooga, TNJanuary 10-18
Dam Short Film FestivalNevadaFeb 11-16
Beaufort International Film FestivalSCFeb 17-22
Sedona International Film FestivalAZFeb 22-Mar 2
Tampere Film FestivalFinland!Mar 4-8
Sonoma International Film FestivalCAMarch 25-29
Fargo Film FestivalNDMarch 17-21
Cleveland International Film FestivalOHApr 9-18
Julien Dubuque International Film FestivalIowaApr 18-25
Atlanta Film FestivalAtlantaApr 23-May 3
Stony Brook Film FestivalNYJuly 17-26
The Norwegian Short Film FestivalNorwayJune 11-15-ish
Nevada City Film FestivalCA (the “Nevada” part is a red herring)June 19-22-ish

And now I wait… Yesterday, the first of these festivals got back to me: ReadingFilmFest has accepted Please Don’t Send Help, so I know where I’ll be around October 10th! One down, 26 to go, woooo!